Archive for the ‘Tapestry Crochet Patterns’ Category

Vogue Tote

Monday, May 13th, 2013

Have you seen the new Vogue Knitting Crochet? My tote is one of thirty four projects in the stylish 2013 special edition of the magazine. Members of Ravelry can see all the accessories, skirts, tops, and dresses here.

As usual, I experimented first. After finishing the brown and white bag, I emailed a project proposal with a photo to Vogue. They liked it – sent me a contract and several skeins of Prism Windward yarn – and voilá!

First and final version.

The first version is on the left, in front of the Vogue Knitting Crochet Tote on the right.

Their photo looks much better, don’t you think?

Tapestry Crochet Tote in Vogue

Tapestry Crochet Tote in Prism Windward and Windward Layers, Vogue Knitting Crochet 2013 (photo by Rose Callahan).

I hope you’ll take a look and give this project – and some of the others – a try!

Just in time for summer!

Mitla Purse

Saturday, October 27th, 2012

My Mitla Purse is one of more than fifty projects in Interweave Crochet Accessories 2012.

Mitla Purse tapestry crocheted with Cotton Classic by Tahki.

As with many of my other patterns, I needed to experiment. I adjusted both the size of the motif and the purse.

The first version is on the left.

The motif was inspired by one of the geometric patterns on the pre-Columbian building seen below from Mitla, Mexico. Stepped fret motifs work well with tapestry crochet and an almost infinite variety are found around the world.

Mitla wall from (photo from Wiki Commons).

The shape of the Mitla Purse was based on a change purse pattern in my first Tapestry Crochet book. It’s is out of print, but some of the patterns are available online here and here.

Change purses from my 1991 Tapestry Crochet book.

What’s old is new again!

Arrowhead Tote

Sunday, September 2nd, 2012

The Fall 2012 issue of Interweave Crochet has several colorful projects, including my Arrowhead Tote (below).

Arrowhead Tote, Tahki Cotton Classic, 13 3/4″ wide, 2012.

I tapestry crocheted the first version (below) with some Stitch Nation Full O’Sheep wool left over from my Beautiful Basket project. The arrows looked great at first, but after the bag was felted they lost too much definition for my taste.

Tapestry crocheted wool bag on the left –  the same bag felted in my washing machine on the right.

So – when Interweave sent out a call for original designs, I submitted a photo of the wool bag before it was felted, but suggested a new version tapestry crocheted with a single handle in Tahki Cotton Classic.

I really enjoyed crocheting the colors they chose and love how the cotton bag looks and feels. What do YOU think?

Bamun Inspiration

Tuesday, August 14th, 2012

I never copy exactly what I see. That would be unethical and too easy. Instead, I prefer to challenge myself by reinterpreting motifs and designs. So when Interweave asked me to write about and design a Bamum hat, I looked through my collection, chose a style, and took it from there.

My first attempt (bottom left) turned out too small. The octagonal top was produced by increasing in the same spot each time. I didn’t like the way the wedges lined up with the motifs and they were too large to allow for slight size adjustments, so I made the next one (bottom right) with several improvements.

Bamun inspired hats tapestry crocheted with Cotton Classic by Tahki.

I was happier with the second hat – so that’s the one you’ll find in Interweave’s 2012 Crochet Traditions. The circular top was produced by making more random increases. The motifs are small, so the circumference and height may be subtly changed by increasing or decreasing the number of motifs.

I’m not saying that the first hat is awful. In fact, it’s included in the upcoming Tennessee Association of Craft Artists Biennial Exhibition at the Tennessee State Museum! More about that later.

Sunrise Afghan

Friday, June 29th, 2012

So, how did my Desert Sunrise Afghan end up in Robyn Chachula’s new Unexpected Afghans book? Well fortunately, she invited me to submit a proposal, explaining that, “The book will be a designer showcase of crochet through afghans.  We will be featuring 25 designers to showcase their craft through the medium of an afghan.”

Robyn suggested I tapestry crochet a 48″ diameter sunburst, kind of like a Gothic stained glass window and my Sunburst Bowl, with colors inspired by the photo below:

Robyn selected seven colors of Caron Simply Soft yarn. She gave me the freedom to change them, but I decided to challenge myself with her selection. I eliminated one of the reds she sent, though, because it didn’t contrast enough with the other reds. The yarn and colors really took me out of my comfort zone – a good thing. I arranged them with high contrast in mind.

If you give this afghan a try, there is a mistake on page 80. The graph is great, but the color key on the right is incorrect. MC should replace A on the top, the pink square should be A instead of B, the orange square should be B instead of C, etc.

Robyn’s wonderful book includes twenty-eight other innovative afghans and five exquisite pillows, too! I hope you’ll take a look!

Wrap with Love

Sunday, January 22nd, 2012

Just in time for Valentine’s Day! Tapestry crocheted with Lion Brand’s Nature’s Choice Organic Cotton, this blanket is so soft and cuddly, it’s sure to be treasured every day of the year.

Patterns for both right handed and left handed crocheters are now available online for this Heart Baby Blanket.

Simply Felted Basket

Friday, December 9th, 2011

The new Simply Crochet book by Robyn Chachula includes twenty two patterns from a number of crochet designers. My felted Tapestry Basket is one of them – crocheted with Cascade Yarns’ dreamy 100% Peruvian Cascade 220 wool.

My bead tapestry crochet Master Bag featured a woven twill motif, so this time I chose a different basket weave. The colors didn’t contrast enough in the first attempt so I crocheted the final version with yellow instead of beige. The first one was also too narrow, but since the motif was ten stitches wide and there were ten increases per round, it was easy to add three more rounds to make it wider without affecting the motif.

I love felted tapestry crochet! The large, loose stitches are easy on the hands and the projects materialize so quickly. The felted fabric is substantial and the pattern is visible on both sides.

A washing machine transformed the crocheted basket below into the felted basket above.

Are you hooked by felted tapestry crochet yet? If so – or if not – please look at my video tutorial and at my web page and Bead & Felted Tapestry Crochet book for more felted tapestry crochet projects.

Out of Print – But Not Out of Style

Friday, October 21st, 2011

Tapestry Crochet was the first of three books that I wrote to spread the word about this fabulous technique. I couldn’t turn this out-of-print book into an e-book because the publisher owns the copyrights of the layout and graphs – but I own the copyrights of the projects and text.

After Interweave said I could republish the projects, I updated the text and redrew the graphs – this time making separate sets for right handed and left handed crocheters (the written instructions are the same for both right handed and left handed crocheters, but the photos and graphs are reversed).

My second book, More Tapestry Crochet, has expanded history and design sections, so I only concentrated on making the eight most popular projects available online, grouping them together by format.

“Rounds” projects for left handed and right handed crocheters from Tapestry Crochet, 1991.

“Spiral” projects for left handed and right handed crocheters from Tapestry Crochet, 1991.

I actually wrote Tapestry Crochet in the early 1980’s, but it took ten years to get it published! Most of the other pattern books at the time featured expensive fibers, but my Mom and her friends preferred to crochet with inexpensive synthetic yarns, so I made most of the projects with their favorites to appeal to people like them. Unfortunately, most of those yarns are no longer made – but that’s the situation with many published patterns.

I’m an artist and art professor, so the projects were designed not only to teach the basics, but also to provide crocheters with fresh ideas and design tools. I try to encourage crocheters to tweak the patterns, but even when the instructions are followed to the letter, each finished piece is still unique because substituting yarns makes them that way! Links to the patterns are under the above photos of the projects.

What really amazes me when I stop and think about it, though, is that these pieces were crocheted 30 years ago – but they don’t look dated – at least not to me!

Down Under Wonder

Sunday, October 9th, 2011

Anne Churches and her husband live in Kyabram, a small dairy and fruit farming community around 124 miles /200 km north of Melbourne, Australia. They retired around five years ago to part of the property that used to be their orchard. Anne enjoys golf, weaving, seeing her eleven grandchildren, and of course, tapestry crochet.

This talented artist has been designing and hand weaving stunning shaft shifting rugs on a large floor loom in her home for about ten years. While looking for something to do with the left over wool, she discovered tapestry crochet. As you can see, Anne’s unique sense of design and color have translated well. Over the past two years, she’s sold more than seventy tapestry crocheted bags at Wool Shows, Handweaver and Spinner Sharing Days, through her network of friends, and on her web site.

When asked what inspires her motifs, Anne said they develop as she explores the technique, adding that “I like free form shapes and also flowers. My most popular designs have been called ‘Organic’. A wonderful way to use up many colours.”

And how does she achieve the vibrant variegated colors? After purchasing New Zealand yarn from carpet manufacturers in Melbourne (similar to Jason Collingwood rug yarn), she dyes it with Lanaset dyes, 500 grams at a time in a 5 gallon / 19 liter stock pot on her kitchen stove. For the bags, she doubles the yarn and crochets them with a size G/ 7 / 4.5 mm hook with a wooden handle, specially made for her by a wood turner. Most of her bags are around 13″ 33 cm x 13″ / 33cm in size (not including the strap).

If you’d like to tapestry crochet one of Anne’s bags, you’re in luck, because the pattern for her Summer Bag (below) is for sale on her website. The instructions are clear and the pattern includes several stitch diagrams photographs. Anne plans to add more patterns in the future.

For hands-on workshops, Anne will be teaching how to tapestry crochet a bag in Kyabram and Wangaratta in October and November. Although students are not able to finish it during class, she shows samples of the base, the beginning of the sides, the strap, and the flap and tie and explains how to complete each step. So far, all of her students have finished their bags afterwards!

Anne says it best, “I never tire of making bags. Also I am forever developing new designs. I have found an activity that can go with me anywhere. You can’t weave a rug in the car!”

Just in time!

Wednesday, September 28th, 2011

If you like to crochet loosely – then this bead felted Jack O’Lantern Basket pattern is for you. It’s tapestry crocheted with Plymouth Galway worsted wool and a size K hook. Size 5 silver-lined gold beads add sparkle.

Both of the below baskets were crocheted following the same instructions, but the basket on the right was felted in a washing machine. Loose stitches, feltable yarn, washable beads (the color washes off some beads), a HOT soapy wash and cold rinse are the keys to successful bead felting.

The Jack O’Lanterns are visible on the inside and outside! This online pattern is being sold by Ravelry for left handed crocheters and right handed crocheters – just in time for Halloween!

Online Vultures

Tuesday, September 13th, 2011

I put my vulture bag patterns on Ravelry, after Barb Holman sent me the wonderful wake-up call below.

I admire them from afar, but Barb helps all sorts of raptors and knows a lot about them. The following may be more than you want to know, but I found it very interesting. Describing the photos, she said “Anyway, here is the only juvenile turkey vulture I ever rehabbed. I’ve rehabbed several rascally adults but this little guy came to us almost right out of the egg. I wish I had photographed him then because when they’re hatched all white soft fluff with that beautiful black head, and they’re rather nice to get along with. These photos show his black feathers coming in and his black head. Their heads turn red with sexual maturity.”

“I’m sure you already know these things but just in case … They keep cool by urinating on their feet. Early in the morning, they’ll gather in groups high up in the trees and turn their backs to the rising sun to warm up. They’re easy to recognize in flight by the dihedral (V) angle of their wings and silvery grey underside of their flight feathers. Most birds have no sense of smell which is why you can put a chick back into their nest without the parent noticing. Vultures hunt mainly by smell and can detect carrion far away.”

“They actually have very delicate systems and regurgitate their food at the slightest upset. Luckily, they’re not picky and will simply re-eat it. Disgusting to most people but, like all of nature, they serve the very important role of cleaning up.”

“As adults, they can be very dangerous to handle. I once read of a rehabber being killed when he held an adult vulture too close to his face and the bird reached up and bit his neck, opening his carotid artery. I was very accustomed to handling large birds of prey and trained several as education birds. My own bird, Luna, was a great horned owl I trained from nestling age.”

“I caught and handled adult vultures fairly often as well. They’re huge by comparison to all but eagles and condors and very strong. The big difference in safety while handling them is that other raptors use their talons as their main defense while the vulture’s feet and talons are relatively weak. Its that beak that you must be very aware of.”

“We have many eagles where I live now and yesterday, moved roadkill off the road so the feeding eagle wouldn’t be hit while enjoying his lunch. Beautiful birds and try as I might, didn’t get a good photo.  Also have vultures here … We’re at the top of a hill on a peninsula overlooking the Lake of the Ozarks and I love watching them circle, higher and higher in order to make it over our roof. We have often found as many as ten of them sitting on our deck rail discussing whatever it is that vultures discuss.”

“Being on the lake, the eagles come every year and a few winter over. We even have a nest not far away and have watched the youngsters fledge. A couple of years ago, we were down the hill on the bank of the lake. It was very cold and quiet and suddenly, almost in front of us, a gull swooped low and dropped a big fish. Right behind him, a huge eagle landed on the ice and took the fish. Behind her came a smaller male and a juvenile. They made no move to take the fish she had stolen from the gull and the gull just kept going. I’m assuming their sexes because, with raptors, the sexes usually look alike (no sexual dimorphism as with most other birds) and the female is half again larger than the male. An exception to this rule is the American kestrel. Its our smallest true falcon, the sexes are marked differently but about the same size.”

She sent the pictures because of my old blog post about the Carrion Bag.

Vulture Purse and Carrion BagVulture Purse and Carrion Bag

You might already have these patterns because the Vulture Purse used to be available online, but was taken down when The Inside Loop went out of business. The instructions for the Carrion Bag are included in The Anticraft Book. Fortunately, I was able to keep the copyrights, which means that I can distribute these patterns myself. So the Vulture Purse for right and left handed crocheters and the felted Carrion Bag for right and left handed crocheters are now for sale – just in time for Halloween!

Free Wallet Pattern

Friday, September 2nd, 2011

Crochet Today! just posted the pattern for my Tapestry Crochet Wallet as a free download. The November/December 2011 issue includes a picture and instructions for carrying and changing colors.

I didn’t want to line the wallet, so I tapestry crocheted it with Aunt Lydia’s Size 3 Fashion Crochet Thread and a size 1 (2.25mm) steel crochet hook with a handle to produce the dense fabric. A plain hook would have been OK, but the handle helped my wrist and hand work the tight stitches much more easily.

Even though three colors were used, there are only two colors in each round. The carried colors were switched five times in the solid rounds as needed.

A short zipper was not available locally, so I adapted a longer one from my sewing stash. (The pattern includes zipper instructions – how to shorten and sew it into the wallet.)

This project would be great for using up small amounts of left-over thread and yarn – just switch the colors more often and / or use more colors! What a wonderful gift idea!

I hope you’ll crochet this wallet for yourself or someone else – and fill it with all the money you save!

More Amazing!

Wednesday, May 25th, 2011

I hate it that I’ve been too busy to blog, especially when there’s so much to share! Where to begin? Let me start with my trip to Asheville, NC, where I attended the WARP (Weave a Real Peace) conference in early May. It was exhilarating to be surrounded by so many inspirational women! Reconnecting with friends and making new ones was fabulous.

The day before leaving for Asheville, I realized that the amazing tapestry crocheter featured in one of my 2009 blogs lived there. So, I arranged to meet Esther at Earth Guild, where she works.

First she introduced me to her tapestry crochet hats. Esther is so creative and generous! For instance, she carries elastic in the last few rows for a better fit. What a great idea! (Esther’s pattern for the green and white pinwheel in the background of the picture below is part of her Tapestry Crochet Basics packet sold at Earth Guild.)

Esther also came up with a great way to carry both colors so that she can go back and forth between them without readjusting the yarns on her left hand between the changes. Tension is maintained by holding the yarns with the middle, ring, and little fingers of the left hand.

But the light bulb really went on when I noticed that her motifs don’t slant as much as mine. In fact, Esther made a special tapestry crochet graph paper with less slant.

What does she do differently? Let’s see if you can figure it out by looking at the photos below.

Did you see it? Instead of going under the yarn and grabbing it yarn from the back, she hooks it from the front! Eureka! I suspect that many Guatemalans tapestry crochet with Esther’s method because the motifs on most of the bags purchased down there do not slant very much. My next blog will explore these two methods more in depth.

You’ve probably also noticed Esther’s colorful yarn. Some of it is Earth Guild’s cotton Dragon Tail Yarn and the rest she dyes herself. Her hand painted yarns are sold at Earth Guild and her dying method is explained in her Tapestry Crochet: Basics, Bags, and Pouches packet sold at Earth Guild. It also includes stitch tutorials (her method for right and left-handed crocheters), patterns, design notes, several animal motifs, tapestry crochet graph paper, and tips.

My only disappointment is that I didn’t schedule enough time to look at more of Esther’s amazing tapestry crocheted works of art!

A Lovely Opportunity

Sunday, February 13th, 2011

If you have the courage to think outside the box, “mistakes” can open new doors – taking you to unimaginable destinations! That’s what happened to Connie Worley of Toccoa, Georgia, when she tried to tapestry crochet the pillow below.

Tapestry Crochet Round of Hearts Pillow.

Connie explained, “I’m not real sure what happened . . . it was supposed to have been a pillow but that wasn’t working out . . . I misread the pattern and added an extra row between each row of increased stitches. Carol answered my e-mails immediately with suggestions. The best advice was from a former teacher of hers, ‘There are no mistakes . . . only design opportunities.’ So I took this ‘opportunity’ and turned the pillow into a small market bag.”

Just in time for Valentine’s Day – Connie’s Pillow Bag.

“I am happy that the ‘pillow bag’ turned out . . . even my 13 year old nephew exclaimed (unbidden), ‘That’s a really cool bag, Aunt Connie.’”

“The first time I saw tapestry crochet was in the Spring 2009 issue of Interweave Crochet, which featured the Spring Market Bag. I got stuck when I got to the top where you work the strap into the openings to make the drawstring. I was so impressed that I got an immediate response from Carol with an answer to my e-mail asking for help with links in the e-mail, which I followed. I followed the links to find out more about tapestry crochet and loved all of the designs. I ordered the pillow design at that time, but did not try to make it until this past January . . . my new year’s resolution was to do/finish some projects that have accumulated in the corners and closets of our house (much to my husband’s delight). The heart pillow was one of them.”

Connie’s Spring Market Bag.

“Last week I bought some more thread at Bumbleberry in Clarkesville, Georgia, to make the pillow . . . and I now have a great bag to carry the thread in while I’m working on it. I really do want to make the pillow to put on my daughter’s bed. I am using the blue thread because of a hand-made blue and white quilt that is on it. I plan to put an eyelet ruffle around the edge of the pillow with a blue and white gingham or calico on the back. I go to Bumbleberry every Tuesday with a great group of women. Mostly they all knit, but one lady who crochets and knits loved my Spring Market Bag and she is getting ready to make it for herself.”

“The Spring Market Bag does take a while to do. When I finished, I thought I would never make another one like it . . . but I recently bought more yarn (in teals and browns) to make another one.”

“I love the effect of tapestry crochet. When I finish the round heart pillow, the Handy Basket is on my to do list as well. So many patterns . . . so little time!”

I was wondering why Connie goes by connieocd on Ravelry, then I noticed the explanation. According to Connie, “When I make something, I go gangbusters and all I want to do is make that item, whether it is crochet scarves, quilling (not quilting, but quilling), scrapbooking, etc. My sister (jennylouhoo on Ravelry) says I should open up a craft shop and call it ‘Connie’s OCD Shop’ and stock it with whatever obsession I have at the time!!”

Connie is determined to make a pillow this time!

Did you notice that Connie is crocheting with her left hand? Although the pillow pattern is only available with right-handed instructions, some of my other patterns are written for both right and left-handed crocheters. They rarely sell, though, so I asked her if I should bother offering them.

Connie replied, “I LOVE it that you have the left-handed patterns. That is the version I ordered for the Handy Basket, so please keep them available. Generally, I don’t have trouble with patterns, but recently I wished I had had a left-handed pattern for a sweater I was trying to make. I can’t find the pattern for it right now, but it was made from the bottom corners up (diagonally). Putting it together proved too hard for my little brain . . . figuring out what was left, right, and which way the pattern was supposed to go . . . up, down. I gave up and went on to another sweater that had straight rows. Please keep putting the left-handed patterns on your web site.”

So, the moral of this story is: The next time you make a mistake and are tempted to frog it and start over, accept the challenge and design your own version of the pattern instead!

Felted Tapestry Crochet Bag

Sunday, January 23rd, 2011

It’s always a challenge to design pieces for editors. How does it work? Well, they send out calls for specific types of projects for upcoming publications, then select the ones that best match their vision. Editors often tweak the proposal and usually choose the colors and yarn. That’s how it happened with this project, a “felted tapestry crochet bag with a simple geometric motif” for the February 2011 (issue 14) of Inside Crochet.

Some publications return the projects after the instructions have been published, others don’t. Most purchase all publication rights, others return the publication rights to the designer after a year or so. All of this is spelled out in the contract.

When the Manos de Uruguay Handspun Kettle-Dyed Wool arrived, the “voyage of discovery” began. The first step – what size hook? I tried several before selecting the size P (10mm) hook on the far right (below), because it produced a stitch that was tight enough to hide most of the carried yarn, but loose enough to produce a fabric that would felt in a washing machine.

Each of these swatches was crocheted with the same number of stitches, but different sized hooks.

This is how the bag looked before it was felted.

Tapestry crochet shrinks and felts like magic in a washing machine. Every yarn reacts differently, though, so the journey continued. Conclusion: this particular yarn needs to be washed a few times to felt sufficiently.

Details of before felting (on the left) and after felting (on the right).

The fabric became very dense after it was felted – no lining necessary.

A lining would have hidden the pattern inside the Tapestry Bag.

Fortunately, I’m supposed to get this project back – along with the publication rights. I really like how the carried colors peek through the fabric, giving it a “tweedy” look.

So, what do you think?