Archive for the ‘Tapestry Crochet, America’ Category

Wendy Herdman

Friday, July 8th, 2011

Wendy Herdman, of Mesa, Arizona, is new to tapestry crochet. She says, “After several years hiatus from crochet, I stumbled on a reference to tapestry crochet while looking at painted thread techniques and the concept immediately made sense. Typically for me, I jumped into my yarn stash and started experimenting with all of three paragraphs “instruction”. Now that I feel comfortable with the basics, I’m looking forward to refining and expanding my skills.”

“I tend to work very organically with only a general idea of the finished project in mind. I don’t use published patterns or do more than rough sketches beforehand so my work is a constant process of finding solutions to problems I didn’t even know I’d be facing! That process–asking the questions, making mistakes, experimenting–constantly informs the direction of my work. Every piece begins with a single question: “What if?”

When I asked Wendy what she liked about tapestry crochet, she responded, “I love being able to change colors on the fly and even rip back huge sections without having to worry about stopping and starting new threads. It’s incredibly freeing.”

When asked, “What don’t you like about tapestry crochet?” She said,

“Having to stop to untangle the yarns! Working two or three colors at a time isn’t too bad, but when I get up to five or six I start seriously thinking about trading out a few colors to keep the numbers down.”

“My stash is mostly acrylic for economic reasons and for now that translates into a lot of Caron’s Simply Soft. I like the range of colors and the smooth feel, but I’ve been sneaking in more natural fibers and different weights of acrylic as well. In the end, anything that offers a good color or interesting characteristic to exploit is going to be a likely candidate for my work basket.”

None of her pieces are done with graphed images – but are made up as she crochets. To see more of Wendy’s fabulous original creations, take a look at her projects page on Ravelry, where she goes by wherdman.

And when asked, “Do you have any tips?” Wendy replied, “Play! Every now and then, throw away the patterns and the graph paper and just play. It’s good for the soul.”

Who knew?

Sunday, June 12th, 2011

Yarn under the hook using Esther’s method . . .

. . . or yarn over the hook as usual?

Who would have thought that grabbing the yarn from the front or the back would make a difference?

Not only does the design slant less with the yarn under technique, but there’s a sharper color transition. Less of the carried color is seen (especially where colors are changed) in the top two rows of cats. Why is that? Perhaps because the yarn twists slightly differently when yarning under.

If only I had paid closer attention in Guatemalan so many years ago! I always wondered why the motifs on their tapestry crocheted fabric slanted less than mine.

So now there’s a subtle additional tapestry crochet design choice! For tapestry crocheting zig-zags or the bottoms of hearts (where more of a slant is desired) then yarn over the hook. For less slant, yarn under!

More Amazing!

Wednesday, May 25th, 2011

I hate it that I’ve been too busy to blog, especially when there’s so much to share! Where to begin? Let me start with my trip to Asheville, NC, where I attended the WARP (Weave a Real Peace) conference in early May. It was exhilarating to be surrounded by so many inspirational women! Reconnecting with friends and making new ones was fabulous.

The day before leaving for Asheville, I realized that the amazing tapestry crocheter featured in one of my 2009 blogs lived there. So, I arranged to meet Esther at Earth Guild, where she works.

First she introduced me to her tapestry crochet hats. Esther is so creative and generous! For instance, she carries elastic in the last few rows for a better fit. What a great idea! (Esther’s pattern for the green and white pinwheel in the background of the picture below is part of her Tapestry Crochet Basics packet sold at Earth Guild.)

Esther also came up with a great way to carry both colors so that she can go back and forth between them without readjusting the yarns on her left hand between the changes. Tension is maintained by holding the yarns with the middle, ring, and little fingers of the left hand.

But the light bulb really went on when I noticed that her motifs don’t slant as much as mine. In fact, Esther made a special tapestry crochet graph paper with less slant.

What does she do differently? Let’s see if you can figure it out by looking at the photos below.

Did you see it? Instead of going under the yarn and grabbing it yarn from the back, she hooks it from the front! Eureka! I suspect that many Guatemalans tapestry crochet with Esther’s method because the motifs on most of the bags purchased down there do not slant very much. My next blog will explore these two methods more in depth.

You’ve probably also noticed Esther’s colorful yarn. Some of it is Earth Guild’s cotton Dragon Tail Yarn and the rest she dyes herself. Her hand painted yarns are sold at Earth Guild and her dying method is explained in her Tapestry Crochet: Basics, Bags, and Pouches packet sold at Earth Guild. It also includes stitch tutorials (her method for right and left-handed crocheters), patterns, design notes, several animal motifs, tapestry crochet graph paper, and tips.

My only disappointment is that I didn’t schedule enough time to look at more of Esther’s amazing tapestry crocheted works of art!

Chattanooga Exhibit

Monday, March 7th, 2011

If you’re in southeastern Tennessee between March 28th and May 13th, please visit the Jewish Federation of Greater Chattanooga. Why? Because some of my tapestry crochet pieces have been included in an exhibit there based on the quote by Bertolt Brecht, “Art is not a mirror held up to reality, but a hammer with which to shape it.”

Four of the eight pieces of my Lessons Series included in the Drawn In exhibit.

Unfortunately, I won’t be able to make it then, but if you’d like to see my tapestries and meet the other artists in the exhibit, Judith Mogul and Frances McDonald, you’re invited to attend the reception on Thursday, April 7th, at 5:30.

The Federation is located at 5461 North Terrace Road in Chattanooga, TN 37411. The exhibit hours are Monday through Thursday from 9:00 to 5:00 and Friday from 9:00 to 4:00. It will be closed on April 19th, 20th, 25th, and 26th. All of their programs and exhibits are open to everyone, regardless of religious affiliation.

The curator, Ann Treadwell, said she was “looking for three different ways in which artists can be ‘a hammer’.  First through the use of words in decision making (Carol’s pieces); second in acknowledging the love for cars that shapes us and that we should push back (Judith’s work); and third the use of the artist as a “conductor” to engage others in the creative thought process and thereby change their lives (Frances).” For more about the exhibit, please contact Ann at atreadwell@jewishchattanooga.com or (423) 493-0270, ext. 13.

A Lovely Opportunity

Sunday, February 13th, 2011

If you have the courage to think outside the box, “mistakes” can open new doors – taking you to unimaginable destinations! That’s what happened to Connie Worley of Toccoa, Georgia, when she tried to tapestry crochet the pillow below.

Tapestry Crochet Round of Hearts Pillow.

Connie explained, “I’m not real sure what happened . . . it was supposed to have been a pillow but that wasn’t working out . . . I misread the pattern and added an extra row between each row of increased stitches. Carol answered my e-mails immediately with suggestions. The best advice was from a former teacher of hers, ‘There are no mistakes . . . only design opportunities.’ So I took this ‘opportunity’ and turned the pillow into a small market bag.”

Just in time for Valentine’s Day – Connie’s Pillow Bag.

“I am happy that the ‘pillow bag’ turned out . . . even my 13 year old nephew exclaimed (unbidden), ‘That’s a really cool bag, Aunt Connie.’”

“The first time I saw tapestry crochet was in the Spring 2009 issue of Interweave Crochet, which featured the Spring Market Bag. I got stuck when I got to the top where you work the strap into the openings to make the drawstring. I was so impressed that I got an immediate response from Carol with an answer to my e-mail asking for help with links in the e-mail, which I followed. I followed the links to find out more about tapestry crochet and loved all of the designs. I ordered the pillow design at that time, but did not try to make it until this past January . . . my new year’s resolution was to do/finish some projects that have accumulated in the corners and closets of our house (much to my husband’s delight). The heart pillow was one of them.”

Connie’s Spring Market Bag.

“Last week I bought some more thread at Bumbleberry in Clarkesville, Georgia, to make the pillow . . . and I now have a great bag to carry the thread in while I’m working on it. I really do want to make the pillow to put on my daughter’s bed. I am using the blue thread because of a hand-made blue and white quilt that is on it. I plan to put an eyelet ruffle around the edge of the pillow with a blue and white gingham or calico on the back. I go to Bumbleberry every Tuesday with a great group of women. Mostly they all knit, but one lady who crochets and knits loved my Spring Market Bag and she is getting ready to make it for herself.”

“The Spring Market Bag does take a while to do. When I finished, I thought I would never make another one like it . . . but I recently bought more yarn (in teals and browns) to make another one.”

“I love the effect of tapestry crochet. When I finish the round heart pillow, the Handy Basket is on my to do list as well. So many patterns . . . so little time!”

I was wondering why Connie goes by connieocd on Ravelry, then I noticed the explanation. According to Connie, “When I make something, I go gangbusters and all I want to do is make that item, whether it is crochet scarves, quilling (not quilting, but quilling), scrapbooking, etc. My sister (jennylouhoo on Ravelry) says I should open up a craft shop and call it ‘Connie’s OCD Shop’ and stock it with whatever obsession I have at the time!!”

Connie is determined to make a pillow this time!

Did you notice that Connie is crocheting with her left hand? Although the pillow pattern is only available with right-handed instructions, some of my other patterns are written for both right and left-handed crocheters. They rarely sell, though, so I asked her if I should bother offering them.

Connie replied, “I LOVE it that you have the left-handed patterns. That is the version I ordered for the Handy Basket, so please keep them available. Generally, I don’t have trouble with patterns, but recently I wished I had had a left-handed pattern for a sweater I was trying to make. I can’t find the pattern for it right now, but it was made from the bottom corners up (diagonally). Putting it together proved too hard for my little brain . . . figuring out what was left, right, and which way the pattern was supposed to go . . . up, down. I gave up and went on to another sweater that had straight rows. Please keep putting the left-handed patterns on your web site.”

So, the moral of this story is: The next time you make a mistake and are tempted to frog it and start over, accept the challenge and design your own version of the pattern instead!

Felted Tapestry Crochet Bag

Sunday, January 23rd, 2011

It’s always a challenge to design pieces for editors. How does it work? Well, they send out calls for specific types of projects for upcoming publications, then select the ones that best match their vision. Editors often tweak the proposal and usually choose the colors and yarn. That’s how it happened with this project, a “felted tapestry crochet bag with a simple geometric motif” for the February 2011 (issue 14) of Inside Crochet.

Some publications return the projects after the instructions have been published, others don’t. Most purchase all publication rights, others return the publication rights to the designer after a year or so. All of this is spelled out in the contract.

When the Manos de Uruguay Handspun Kettle-Dyed Wool arrived, the “voyage of discovery” began. The first step – what size hook? I tried several before selecting the size P (10mm) hook on the far right (below), because it produced a stitch that was tight enough to hide most of the carried yarn, but loose enough to produce a fabric that would felt in a washing machine.

Each of these swatches was crocheted with the same number of stitches, but different sized hooks.

This is how the bag looked before it was felted.

Tapestry crochet shrinks and felts like magic in a washing machine. Every yarn reacts differently, though, so the journey continued. Conclusion: this particular yarn needs to be washed a few times to felt sufficiently.

Details of before felting (on the left) and after felting (on the right).

The fabric became very dense after it was felted – no lining necessary.

A lining would have hidden the pattern inside the Tapestry Bag.

Fortunately, I’m supposed to get this project back – along with the publication rights. I really like how the carried colors peek through the fabric, giving it a “tweedy” look.

So, what do you think?

Master Bag

Saturday, January 8th, 2011

I’m one of those people who prefers to sit in a window seat when I’m flying. It really paid off on the flight to the 2007 Crochet Guild of America Conference. When I saw the clouds against the brilliant, blue sky, I snapped a photo and thought, “My next piece will use these colors!”

THIS is why I prefer the window seat.

The bag below that I designed for the Crochet Master Class book is the result. This Beaded Tapestry Crochet Bag project combines my love of basket weaving with bead tapestry crochet. The two different sized beads and the motif trick the eye into thinking it’s looking at a woven surface.

Beaded Tapestry Crochet Bag project in Crochet Master Class book.

The beauty of tapestry crocheting with beads is that each thread can be loaded with one bead color and only the color that is needed at the time is crocheted to form a pattern while the other thread is carried. When crocheting with beads, the bead naturally slides to the back of the stitch, so the back of the stitch is on the outside of the bag. That’s why the graph in the book appears to be reversed.

The inside of the bag is the “working side” since the beads fall to the back of the stitch, so both the inside and outside look great!

This project was tapestry crocheted with three colors, but only one thread was carried while another was crocheted. Since every row only has two colors, ecru or navy was cut off and the other one added close to the end and beginning of each color section.

Detail of the Beaded Tapestry Crochet Bag.

Several years passed before the book was published (not unusual), so I was thrilled when it was finally released! What an honor to be included with such a talented group of designers!

This book is a real masterpiece!

Crochet Master Class is not just a pattern book, but features eighteen crochet techniques. Jean Leinhauser and Rita Weiss, the editors, chose one designer to represent each different approach. We were sent questionnaires, then they put together the biographical, historical, and technical sections that precede each of our projects.

Jean and Rita at the 2009 Crochet Guild of America Conference (photograph by Sherri Bondy).

When I showed Jean and Rita the bag below at the 2007 CGOA Conference, they said it would be perfect for their “master’s level” book. Editors usually shy away from such complicated projects, so I was ecstatic that they were doing a book that would really challenge crocheters!

My first Bead Tapestry Crochet “Woven” Bag.

I later decided to redo the bag, though, with slightly different handles and motifs and with the colors I saw on the flight to the conference. Both of these master’s level bags were made with size 8 and 6 seed beads from Fire Mountain Gems and size 3 DMC 100% cotton Senso thread. As happens so often, this particular DMC thread has been discontinued, but other Senso threads or another size 3 thread could be substituted.

So, if you’re ready to expand your horizons, or would just like to learn more about the many faces of crochet, then Crochet Master Class is for you!

Star Power Update

Tuesday, December 28th, 2010

It’s such a challenge to make a gift for someone that they’ll actually like! What style, fiber, or colors do they prefer? Being so far behind on my holiday gift list, I found myself crocheting the present in front of the recipient (who didn’t realize it was for her, of course).

Carol
Tapestry crocheting an alpaca Star Hat.

As I crocheted, I began to think that since the gift wasn’t finished on time anyway, I might as well ask Betty if she would like a hat like the one I made for Ilsy (who, as promised, managed to act very surprised when she opened the present in front of the family).

Ilsy
Ilsy loves her
Star Hat!

When Betty said, “Yes”, I asked her to to pick out the colors. After careful consideration, she chose black and brown Inca Alpaca. Fortunately, I was able to finish the hat before they flew home.

Betty
Betty really likes her Star Hat, too!

So, what’s the lesson here? To increase the odds that a present will be liked – and maybe even loved – ask if they would like to receive the proposed gift, then let them pick out the colors!

I hope you’re enjoying the holidays and that you’ll have a healthy and happy new year!

Geometry Tote

Monday, December 6th, 2010

I needed a sturdy oval based bag that would fit under an airline seat and would hide the dirt accumulated while traveling. So I packed some tapestry crochet graph paper, a pencil with an eraser, a size 00 steel crochet hook, and contrasting colors of #18 Omega Nylon in my travel bag so that I could work on it during my long trip to Africa.

Looking around for inspiration at the John F. Kennedy International Airport Delta Terminal in New York City, I noticed a fabulous window at the gate where I was waiting for my flight to Ghana.

JFK Delta Gate Window
Window in the Delta Terminal at the JFK International Airport

Triangles work well for tapestry crochet, but I didn’t want to copy it exactly, so I drew several versions on my tapestry crochet graph paper, then asked some of the other passengers for their opinion. Fortunately, they all chose the one I liked best!

I counted the stitches across the bottom of the motif to figure out the number of stitches in each repeat, then did the math to figure out how many stitches were needed for the base chain.

After crocheting for hours (following the increases from one of my other oval-based bags) I put it under the airline seat in front of me to see how it would fit – and to my horror – the bag was too wide! So, I reluctantly frogged it and restarted with a shorter chain that would produce a narrower bag with less motif repeats.

Carol in the Accra Bus Station
Crocheting the base of the bag at the bus station in Accra, Ghana, in 2009. I hadn’t slept for 24 hours and still had an 7 hour bus ride ahead of me!

Tapestry Crochet Triangles Bag
The finished Geometry Tote, tapestry crocheted with Omega Nylon

I later realized that two of my older projects had similar triangular motifs – not the same – but almost! I’ll probably crochet a few more projects with more variations of these small and large triangles. The possibilities are (almost) endless!

The pattern for the Geometry Tote has just been published in the February 2011 Crochet World. I hope you’ll give it a try!

Star Power

Monday, November 15th, 2010

I crocheted my newest project with Classic Elite Inca Alpaca yarn, then asked my daughter to model it for the photos. I hoped she would want a hat like this one for Christmas, so I gathered up some colorful yarn to let her pick out colors – just in case she approved the design.

Ilsy’s a real tough critic and quite the fashionista, so I was shocked when she exclaimed, “This style is really hot now, Ma! I’ll take THIS one – the colors are great!”

Tapestry Crocheted Star Hat
My model daughter, Ilsy, in her soon-to-be new hat.

Tapestry Crocheted Star Hats
Left-handed and right-handed versions of the Star Hat.

So, I spent today writing up the patterns for right and left handed crocheters, posted them on Ravelry, then uploaded pictures to Flickr – and now I’m writing this to get the word out.

I learned a long time ago that it’s not a good idea to buy or make Ilsy anything, because our tastes are very different and it’s almost impossible to figure out what she likes. It’s a really good sign, then, when she’s excited about something that I’ve crocheted. I hope it appeals to you and your fashionista, too!

Chain Reaction Heart Block

Sunday, September 19th, 2010

Have you heard about Interweave’s Chain Reaction Afghan Project? I’m one of several lucky designers who were invited to participate.

My block was tapestry crocheted with Cream and Cherry Tomato Universal Yarn Classic Worsted. As usual, I did several versions, making slight changes each time.

Tapestry Crochet Heart Block
Which would you pick? Interweave decided to go with the third one on the far right.

The instructions are on pages 38 and 44 of the Fall 2010 Interweave Crochet Magazine. I hope you’ll give it a try – or design your very own – because Interweave will include several original blocks from their readers, too!

A Lovely Prayer Shawl

Monday, August 23rd, 2010

Last summer, Janet Bristow and Victoria Cole-Galo (of the Prayer Shawl Ministry) were looking for unpublished crochet patterns for their new prayer shawl book. There would be no payment, but it was for a good cause, so I thought, “Why not?”

I had never crocheted a prayer shawl before, so I asked them for a suggested size, then thought, “What motif would be appropriate for a shawl that’s lovingly made, then gifted to someone in need?” For me, the obvious answer was, “Hearts.”

I also thought a lot about the flat format – one that would be relatively easy to tapestry crochet. Instead of crocheting in a continuous spiral (my usual), this was crocheted in concentric rectangles with a “join” at the beginning and end of each round. The join created a line (seen on the right side of the short side of the shawl pictured below).

Tapestry Crochet Heart Prayer Shawl
Tapestry crocheted Heart-to-Heart Tapestry Shawl

Since it was crocheted from the center outwards, the hearts were crocheted upside-down. They would also have worked right-side-up, but I already crocheted Have a Heart Scarf that way and wanted to try something different.

This project was really “meant to be” because I had just enough raspberry and ivory Mod Dea washable wool left over from an earlier project. Unlike regular wool, which can shrink and felt during washing, this easy-to-care-for Merino can be thrown into the washing machine without worry because it’s been pre-shrunk. The loose stitch allows the carried yarn to peek through and gives the fabric wonderful drape.

I never heard that my submission would be included in the book – but figured it out when a friend told me that she made sure the shawl was arranged with the front side up at the photo shoot. Since the carried yarn does not show on the back, it’s often difficult to tell the “right side,” so photographs of some of my previous projects featured the reverse side instead of the front.

Crocheted Prayer Shawl book
The Crocheted Prayer Shawl Companion book

I was really thrilled when the book arrived the other day because it’s so beautifully done. Hopefully, you’ll also be inspired to crochet a shawl for someone who would really appreciate a gift from the heart – be it one of the 37 shawls from this book or another pattern.

Kathy’s Vibes

Wednesday, July 28th, 2010

Talented professional jazz musician and composer, Kathy Kelly, says, “My favorite hobby has always been beading and I have been an avid beader since I was a teen, working with many different beading techniques. Lately I’ve been doing a lot less beadwork and more crochet!”

“When I was a kid, my sister and I used to crochet and knit, learning from books with my mom trying to help us. We were all a bit clueless. I began to relearn to crochet as an adult in November 2008 when my sister gave me a set of crochet hooks for my birthday.”

Kathy Kelly
Kathy, tapestry crocheting her own version of Merrick’s Crochet Swirling Bag.

“While searching for crochet projects to try I saw a pattern for a tapestry crochet coin purse. A light went off in my head; I had been carrying a tapestry crochet coin purse around for about 15 years. They never seem to wear out, when they get too dirty, it’s time for a new one. I’ve always loved them for their beauty and function”

“Shortly thereafter I found the Tapestry Crochet website and picked up a copy of Carol Ventura’s More Tapestry Crochet. I used the graph paper in the book to start making my own designs. I also joined Ravelry and the tapestry crochet group there where I was, and still am, inspired by the work of others.”

I discovered Kathy on Ravelry, where she goes by vibeskat. With a name like that, it’s not surprising that she chose to tapestry crochet cats on her first pieces. The feline motif was inspired by a cat on a coin purse bought at a street fair.

Kathy’s First Tapestry Crochet Purse
Kathy’s first complete tapestry crochet project, 9 1/2” by 6”, June 2009.

Kathy’s next purse was not as large, but the small size made it difficult to attach the zipper with her sewing machine.  She designed the heart motif that decorates the bottom.

Tapestry Crochet Coin Purse
Kathy’s Coin Purse, Rowan Glace, June-July 2009.

Now, back to Kathy, who explains that, “I like being able to chart my own designs and am constantly challenged by the lack of symmetry that the stitches produce. Alien Owl Coin Purse started with a more detailed chart that unintentionally produced the “alien” effect. I began thinking about simplicity of design and how the brain always tries to find meaning in shapes. For instance, think of the stick figures that everyone recognizes as people, or how we interpret the shapes of clouds.”

Not bad for a first attempt at designing a tapestry crochet motif! What a hoot (sometimes I can’t help myself)! She plans to revise the owl for another project. This purse was crocheted with brilliant DMC Senso 100%cotton thread, perfect for her 70’s style palette. Unfortunately, this size 3 thread has been discontinued.

Owl Coin Purse
Alien Owl Coin Purse, Senso cotton, August – September 2009.

She also told me that, “Small purses and eyeglass cases do not allow me to put so much detail into the designs. My objective is to make a simpler design that the mind will recognize as the intended object.”

“I try to let go of the need for exact symmetry. The loons on my Loons Coin Purse have a different graph for the right and left facing loons. I altered the chart to allow for the way the stitches lean.”

Tapestry Crochet Loons Coin Purse
Kathy’s Loons Coin Purse, Senso cotton, November 2009.

The eyeglass cases below have flip top lids and button closures and are lined with “posh” lining fabric to protect the glasses from abrasion. The colorful stripes and varied tails set up an exciting, rhythmic composition.

Kathy’s Tapestry Crocheted Eyeglass Cases
Senso cotton, Boye size 6 hook, September 2009 (left) and April 2010.

The next coin purse was crocheted with her new favorite thread, Patons Grace (Kathy likes the twist and color selection). She carried one or two threads for part of a row to get more colors on certain rows without affecting the shape.

Kathy’s White Cat Coin Purse
Bates size 3 steel hook, Patons Grace, January 2010.

Testing a roadrunner design for her next project, she decided to make a tiny bag to see how the graph would look tapestry crocheted.

Tapestry Crochet Roadrunner Coin Purse
Kathy’s Roadrunner Coin Purse, 3.25″ by 2.25″, Patons Grace, Bates size 3 steel hook, April 2010.

Jazz is very creative and improvisational and so is Kathy’s tapestry crochet. Her newest piece, which is based on another designer’s pattern, combines her loves of beading and crochet. The bottom of this fun bag was crocheted with Rowan Glace and the roadrunner stripes with Patons Grace. Beaded peyote tubes (worked around cotton seine twine) connect a cloth handle at both ends of the zipper closure.

Kathy’s Roadrunner Bag
Kathy’s
Roadrunner Bag, Patons Grace, July 2010.

When I asked where she gets her ideas, Kathy said, “Things that have inspired me include poetry by Rumi, nature, animals, American Indian and African beadwork, playing and listening to music from all over the world. I believe that any art I am involved in has an effect on any other form of art that I do. The art of life, the life of art.”

Want to know more about this artist? Then you need to listen to Kathy’s music on her website and Myspace page – or catch one of her performances – to really get this Vibes Cat!

Cheryl’s Spin

Wednesday, July 14th, 2010

Originally from Wichita, Kansas, Cheryl Goyer has lived in the Rogue Valley since 1985. She’s primarily a spinner/dyer/knitter but also weaves. She’s crocheted for years, but unfortunately, doesn’t do it much anymore because it bothers her wrists and hands.

Cheryl Goyer
She thinks it’s goofy, but I love Cheryl’s self portrait!

I found pictures of her wonderful spinning bags on Ravelry, where she goes by cgoyer. Want to know more?

When I asked about the bags, she emailed me that, “Every year me and three of my friends get together after Fall term is over (we all work for a community college) for lunch and have a gift exchange. It’s also a chance to celebrate the birthday of one of the group. It’s a challenge to come up with something unique, handmade, and appropriate for the recipient. That’s the basis of my inspiration, to give a gift from my heart and hands. This was the first year the four of us all had spinning wheels so I thought these small bags would be great to hold an oil bottle and a few other small tools for spinning.”

Cheryl crocheted all of the bags with the same size hook and yarns of varying weights and plies that she spun (unless otherwise noted) to create the dense fabric. The 5″ to 6″ wide bags contain between 60 and 64 stitches. She wanted them to represent spinning or fiber in some way and that each be unique and relevant for the recipient. The handles were twisted with the same yarns used in the bags. The shape of the bags grew more or less organically.

Cheryl tapestry crocheted the background of the Angora Goat Bag with three-ply llama yarn. Handspun sock yarn and BFL (Bluefaced Leicester) was used for the checks, and the goat was crocheted with the fiber it’s know for, mohair.

Cheryl’s Goat Bag
Cheryl’s first spinning bag features an Angora goat and the words, “spin yarn.”

She explained that, “Spin Bag uses the remainders of some sock yarn I had spun for camo socks for my husband along with natural BFL. The fiber from that bag was purchased from the woman who eventually got the Namaste Bag.”

Cheryl’s Spinning Bag
Cheryl’s Spin Bag.

Namaste Bag was crocheted with three-ply Suffolk from a dyeing experiment and natural BFL. That bag went in a silent auction basket at the 2010 NwRSA Conference.

Cheryl’s Peace Bag
Cheryl’s Namaste Bag.

“Other than the dancing grannies and the horse bag I had no specific recipient in mind while I was making them and made my decision once I had a few to choose from. The animal motifs and the dancing granny motif are all borrowed from other sources, mostly knitting. The rest are my creative embellishments.”

“The dancing grannies bag was for my friend that was turning 60. The pink yarn for the dresses was some she was going to toss as it was left over from plying. I took it and said I would use it in something. The flesh tones are mohair as are the green and blue stripes. The dark is natural Corriedale. Some grannies are sleeveless because my friend won’t go sleeveless and I wanted her to know it’s OK for grannies to go sleeveless.”

Cheryl’s Spinning Bags
Cheryl’s Dancing Grannies and Alpaca Bags.

The alpacas were crocheted with handspun alpaca. The rest of the bag is dark Icelandic and light gray Shetland. Cheryl donated this bag as a prize for the 2010 Black Sheep Bingo at the Black Sheep Gathering in Eugene, OR.

Cheryl’s Sheep Bag
Cheryl’s Jumping Sheep Bag was crocheted with natural light and dark Shetland singles.

“Finally and most recently I made a bag for my oldest daughter who is just learning to spin. She’s a horse woman and has been since very young, hence the horses. I used dark Shetland singles for the background and the rest is Romney singles. I should have used Carol’s tapestry crochet graph paper for the horse’s legs, they would probably have looked less skimpy. I added the manes because the horses just looked naked without them.”

Cheryl’s Horses Bag
Cheryl’s Horses Bag.

I hope this isn’t the last of Cheryl’s tapestry crochet! Perhaps a looser stitch and a bigger hook would lure her back.

Striped Basket

Saturday, June 12th, 2010

What would you do if Brett Bara, the editor of Crochet Today! sent you eight vibrant colors of Debbie Stoller’s fabulous Stitch Nation Full O’Sheep 100% Peruvian wool and asked for a 12″ diameter, striped tapestry crochet basket somewhat like the coiled baskets below?

Coil basket

Coiled Baskets
These four coiled baskets served as inspiration for the tapestry crocheted basket.

Well, what do you think of my solution?

Beautiful Basket in July/August 2010 Crochet Today!
The carried yarns contribute to the sturdiness of the basket and the hefty looking “coil”.

This basket is not for beginners because it’s quite a challenge to carry seven colors at the same time! How did I keep the yarns from tangling? Well, I placed them next to each other as shown below and let the yarn cross over the others close to the fabric each time I switched colors.

Beautiful Tapestry Crochet Basket
Seven colorful yarns were carried while one was tapestry crocheted.

The tight gauge hides most of the carried yarns, but some of them pop through, especially on the back of the fabric.

Front Detail of the Beautiful Basket
Front detail of the Beautiful Basket in July/August Crochet Today!

Back Detail of the Beautiful Basket
Back detail of the same tapestry crocheted basket.

I thrive on challenges, so I really enjoyed designing and crocheting this project. If you like a challenge, too, then this basket is for you!