Archive for the ‘Tapestry Crochet, America’ Category

AntiCraft Carrion Bag

Thursday, November 29th, 2007

I love vultures and years ago began featuring them on the bags that I tapestry crocheted for myself. I realized that most editors would not be amused by my choice, so I stuck to cats and horses, for the most part, for pieces that I designed for the public – until I heard about the AntiCraft book. I suspected that Renee and Zabet would probably share my enthusiasm for vultures – and they did!

Tapestry crocheted Vulture Purse before it was felted
This is how the AntiCraft bag looked before it was felted.

Tapestry crocheted Vulture Purse after felting
After felting it is fuzzy like a young vulture chick.

Vultures don’t usually kill, but eat carrion. They congregated at the dump at the edge of town where I lived in Guatemala in the 1970’s, picking up the mess we made every day. I see them cleaning up our local highways now.

Contemporary Western Society is repulsed by vultures, but they are highly esteemed by many ancient and non-Western cultures. For the Dynastic Egyptians, the Vulture Goddess, Nekhebet, protected Upper Egypt, mothers, and children, and was usually represented in Egyptian art as a vulture or a woman with the head or wings of a vulture.

King Tut’s Mask
The vulture on King Tut’s headdress represents Nekhebet.

Egyptian Vulture Goddess
This pectoral of Nekhebet holding the symbols of infinity was found in King Tut’s tomb.

Traditional Native Americans have tremendous respect for vultures. Many stories tell how condors and vultures helped form the world and as they consume the flesh of the deceased, these incredible birds transport the dead to the spirit world.

Metropolitan Museum Aztec Vessel
This Aztec ceramic vessel from the Metropolitan Museum of Art features – yes – a vulture!

Yes, I follow the beat of a different drummer. Now that you know a little more about them, though, I hope you will embrace rather than shun these special creatures. Better yet, why not tapestry crochet the AntiCraft Carrion (now available on Ravelry)?

New Publications with Tapestry Crochet

Saturday, October 13th, 2007

In order to publicize tapestry crochet, I submit projects to lots of editors. This form of advertising reaches new people and hopefully tempts them to try tapestry crochet – and once they try it, they’re usually “hooked”. The following three projects are in publications that were released this month – and if you haven’t already, I hope you will give tapestry crochet a try!

2008 Crochet Calendar
The Tapestry Crochet Eyeglass Case in the 2008 Crochet Calendar is a great first tapestry crochet project because it has a simple motif – blue on blue and white on white. It was crocheted with 3-ply cotton Saucy thread by Reynolds, but any yarn or thread would work – and this project could easily be converted into a cell phone bag!

Includes Felted Tapestry Crochet Basket Pattern
Crochet Me is such a treasure. Kim Werker did a wonderful job selecting inspirational projects and her personal touch is seen throughout the book. In fact, that’s part of what makes it so special! I’m thrilled that she included my felted tapestry crochet basket project.

The basket motif was inspired by a pattern engraved on a knife that I saw in an ethnographic museum in Belgium. Photos were not allowed, so I sketched the stripe and triangle design on a scrap of paper.

While some projects are accepted for publication “as is”, others need to be reworked in a variety of fibers and sizes.

Crochet Me Baskets
My original
Crochet Me submission is the Berroco Ultra Alpaca basket on the far left. The others were crocheted with Brown Sheep Burly Spun wool. The pink, white, and blue basket was crocheted last – but it visually did not fit in with the rest of the baskets, so it didn’t make the cut.

Before felting
This is what the small basket looked like before felting. Quite a transformation, don’t you think?

Graphs for Crochet Me Baskets
A lot of time was saved by working out color schemes on paper. Above are 2 of several color combinations that I proposed to Kim. She chose the one on the right.

Carol in China
The picture in
Crochet Me was taken while I was riding in a gondola up to the Great Wall of China. I will blog about that trip later – what an adventure!

The Crochet Me felted baskets are a fantastic introduction to this type of crochet. The loose stitch makes it easy to learn how to carry and switch the yarns. The pattern is a bit more challenging – but not that bad. And, what fun to see them felt in the washing machine.

Includes Bead Tapestry Crochet Bracelet Pattern
The reversible bracelet in
Jewelry With a Hook is another wonderful first bead tapestry crochet project with a simple motif of pink on pink and brown on brown.

Bead Tapestry Crocchet Bracelet
This bracelet was bead tapestry crocheted with size 8 black beads on pink
Senso Cotton thread (equivalent to size 3) and size 6 rainbow beads on brown Senso Cotton. I originally emailed Terry Taylor a picture of the Bead Diamond Bracelet in my Bead & Felted Tapestry Crochet book and suggested the geometric motif, then he chose the colors.

Being able to work with editors not only helped get these projects published, it also made them better! I look forward to collaborating with them and others in the future!

If you haven’t tried tapestry crochet, felted tapestry crochet, or bead tapestry crochet  yet, you no longer have any excuses! And – for the tapestry crochet enthusiasts who are already hooked, what are you waiting for? Surely you have some left-over yarn or thread that would look fabulous in stripes or beads!

Tapestry Crochet in Guatemala

Friday, September 14th, 2007

Ahhh . . . Guatemala! The land that introduced me to tapestry crochet so many years ago. In the late 1970’s, men from Aguacatan, San Juan Atitan, Todos Santos, and Nebaj tapestry crocheted flat, rectangular shoulder bags for their own use (or for sale) in colorful styles that were unique to their own towns. While most bags were crocheted with two colors at a time, as many as 7 colors were carried in the best bags from Nebaj.

Bag from Nebaj, Guatemala
Tapestry crocheted bag from Nebaj. (1978)

Detail of Bag from Nebaj, Guatemala
Seven colors were carried for the complicated pattern.

In the late 1970’s, most bags were tapestry crocheted with the same commercially spun and dyed cotton thread used for backstrap weaving.  Several threads were joined and worked as one strand when crocheting. Naturally colored black and white wool was also popular and acrylic yarn was just entering the market.

Crocheter from San Juan Atitan, Guatemala
This fellow from San Juan Atitan tapestry crochets a bag like the one that he is using as his wife looks on. (1979)

Only a few tourist items were available back then; flat circular shoulder bags and change purses. When I returned in 2002, I was thrilled to see lots of new tapestry crocheted items for sale, including cylindrical bags, hats, and hackey sacks. I also saw both men and women tapestry crocheting these innovative products with a variety of motifs. Most were crocheted with acrylic yarn and the quality varied from very fine to not so fine.

Market in Chichicastenango, Guatemala
Tapestry crocheted bags for sale in Chichicastenango. (2002)

Antigua, Guatemala
In addition to handwoven cloth, this Mam Maya vender in Antigua also sells tapestry crocheted bags, hats, and hackey sacks. (2002)

Mam bag and wool vender in Jacaltenenago
This Mam Maya mother (originally from Todos Santos) models a bag that she tapestry crocheted with the same type of acrylic yarn that her daughter is selling. Yes, I bought the bag – it is exquisite! (2002)

And guess what? Guatemala also has an ancient looping tradition. Shoulder bags are the items that were – and still are – looped and shoulder bags were the first items that were tapestry crocheted there. As I mentioned in earlier blogs, I am convinced that loopers readily adopted, possibly even invented, tapestry crochet around the world. Each location had a unique looped product; shoulder bags in Guatemala, mittens in Finland, and hats in Cameroon.

Looped Bag from Guatemala
Looped bag from Jacaltenango, Guatemala. (2002)

Guatemala not only inspired my first pieces, but still influences my choices. Although I don’t always tapestry crochet tightly in rounds, my work features contrasting colors, the extra yarn is carried inside single crochet stitches, and the hook is inserted under the top 2 loops of the stitch below. My next blog will show tapestry crochet in Morocco.

Caroline Routh, Tapestry Crochet Artist

Sunday, September 2nd, 2007

Tapestry crochet and the internet brought Caroline Routh and me together and this past Spring we finally met. Caroline studied and taught painting and design before becoming a fiber artist. As you can see, this background shines through in her exquisite abstract and figurative tapestry crochet works of art.

Caroline Routh Baskets
Caroline’s Red Stripes and Georgian Landscape are 5″ tall.

Caroline’s working method allows her to create shapely, three dimensional sculptures and vessels with fantastic color variations. How does she achieve such an extensive palette? By mixing the threads as if they were paint, of course!

Her “paints” of choice include sizes 3 and 5 cotton threads and embroidery floss (each strand is composed of six 9 yard long pieces), which are available in a rainbow of tints and shades. Metallic thread and novelty yarn are occasionaly utilized for special effects. Caroline usually combines 2 strands into one working thread to increase the thickness. Sometimes the strands are the same color, other times each is different. She subtly varies the hues by replacing one strand at a time with another color either as it is needed or when it runs out. The new thread is tied on with a weaver’s reef knot, then the join is skillfully hidden by crocheting over it.

Caroline Routh Shell
Caroline’s tapestry crocheted Shell is 7 1/4″ long.

Detail of Tapestry Crochet Shell
This detail shows how one color transitions into another.

How do Caroline’s sculptures stay in shape? With a wire skeleton – what else would work so well? She demonstrated the technique for me below. For a lot of color changes, as many as 7 threads are carried with the wire. When no color changes are necessary,  only the wire is carried.

Caroline Routh Tapestry Crocheting
The florist wire that Caroline carries plays an important supportive role.

Caroline Routh Blackbird
Caroline’s Blackbird is 10″ high. The wire skeleton keeps it in shape.

A painter’s sensibility and tapestry crochet are successfully married in the one-of-a-kind imaginative pieces that are available through her web site and at the Mad and Noisy Gallery in Creemore, Ontario. What an inspiration!