Archive for the ‘Tapestry Crochet Design’ Category

Diamonds Silk Scarf

Saturday, December 8th, 2007

This scarf has an interesting story. My daughter really liked the first one I tapestry crocheted a few years ago, so I told her she could have it after the pattern was published. She rarely likes what I make, so I was thrilled! A good sign, I thought.

Diamond Silk Scarves
The first and second scarves tapestry crocheted with Halcyon silk.

After first emailing a picture of the scarf to a magazine editor to see if she would be interested in publishing the instructions, I mailed it to her.  Whenever I inquired about whether a decision had been made, I was told, “not yet!” A year later, I found out that she was no longer with the magazine and that the scarf had been lost!

I crocheted the next one in another color. Kim Werker at Interweave Crochet magazine loved it as much as I did, but not my colors! No problem. I crocheted it for a third time with her colors.

Diamonds Silk Scarf
The pattern for this scarf is in the Winter 2007 Interweave Crochet.

In addition to the scarf pattern, the Winter issue also includes a wonderful feature about me by Michelle Wiener. So this story has a very happy ending. I hope you’ll tapestry crochet one – or two – or three – or more scarves, too!

ps: See the ICF house referred to in the Interweave article here.

My Latest Pattern

Monday, December 3rd, 2007

The first piece I ever felted is my newest published pattern! This versatile hat/basket would be a great introductory project because the easy motif is just white on white and blue on blue. Also, it is crocheted with a loose stitch, then felted in the washing machine. If that hat doesn’t fit after felting, it can always be a basket!

What’s so special about felted tapestry crochet? Well, the large, loose stitch makes it work up very quickly, the carried yarn adds bulk, and the pattern is incorporated into both sides of the fabric as it is tapestry crocheted. Felting the piece creates a full bodied patterned hat/basket.

Felted Tapestry Crochet Stripe Hat
The instructions for this felted tapestry crocheted hat were in the 2007 Black Purl Holiday Issue and right and left handed versions are now available on Ravelry.

Striped Tapestry Crochet Hat
The hat/basket before and after felting.

Sometimes it takes time to match a project with an editor – but it finally happened! So shall the first be last!

AntiCraft Carrion Bag

Thursday, November 29th, 2007

I love vultures and years ago began featuring them on the bags that I tapestry crocheted for myself. I realized that most editors would not be amused by my choice, so I stuck to cats and horses, for the most part, for pieces that I designed for the public – until I heard about the AntiCraft book. I suspected that Renee and Zabet would probably share my enthusiasm for vultures – and they did!

Tapestry crocheted Vulture Purse before it was felted
This is how the AntiCraft bag looked before it was felted.

Tapestry crocheted Vulture Purse after felting
After felting it is fuzzy like a young vulture chick.

Vultures don’t usually kill, but eat carrion. They congregated at the dump at the edge of town where I lived in Guatemala in the 1970’s, picking up the mess we made every day. I see them cleaning up our local highways now.

Contemporary Western Society is repulsed by vultures, but they are highly esteemed by many ancient and non-Western cultures. For the Dynastic Egyptians, the Vulture Goddess, Nekhebet, protected Upper Egypt, mothers, and children, and was usually represented in Egyptian art as a vulture or a woman with the head or wings of a vulture.

King Tut’s Mask
The vulture on King Tut’s headdress represents Nekhebet.

Egyptian Vulture Goddess
This pectoral of Nekhebet holding the symbols of infinity was found in King Tut’s tomb.

Traditional Native Americans have tremendous respect for vultures. Many stories tell how condors and vultures helped form the world and as they consume the flesh of the deceased, these incredible birds transport the dead to the spirit world.

Metropolitan Museum Aztec Vessel
This Aztec ceramic vessel from the Metropolitan Museum of Art features – yes – a vulture!

Yes, I follow the beat of a different drummer. Now that you know a little more about them, though, I hope you will embrace rather than shun these special creatures. Better yet, why not tapestry crochet the AntiCraft Carrion (now available on Ravelry)?

A Tapestry Crochet Thesis

Friday, October 19th, 2007

Maarit Aalto and I first met online when she was a Craft Science student at the Savonlinna Department of Teacher Education in Finland. At the time, she was working on samples for her Master’s Thesis, “Similarity of a Square-Ruled Graph and a Tapestry Crochet Motif Made with a Single Crochet Stitch.” Maarit graduated in 2004 and meeting her at the 2005 Crochet Days was quite a thrill! Maarit was both an instructor and one of my students there.

Maarit teaching and her bag
Maarit (left) helps one of her students with a project that she taught at Crochet Days, a woolen bag tapestry crocheted in rounds.

Maarit’s Bead Tapestry Crochet Cell Phone Bag
Maarit’s cotton bead tapestry crochet cell phone bag is a variation of the project that I taught her at Crochet Days.

As you can see from her thesis abstract, Maarit took a very scientific approach:

“Tapestry crocheted textiles can be made in a variety of ways. The technique varies according to which crochet stitches are used, which part of the stitch on the previous row the hook is inserted into, whether the crocheter is right-handed or left-handed, whether the textile is crocheted one way or back and forth, how many colours are used and how the yarns are carried and switched.

This study focused on the similarity of a square-ruled graph and a tapestry crochet motif made with a single crochet stitch. The chosen motif was the consecration cross, which is a circle with a cross inside it. Sixty samples were crocheted using different versions of the tapestry crochet technique. The samples were compared to the motif in the square-ruled graph. The aim of the study was to find out which tapestry crochet techniques produce a motif similar to a square-ruled graph to the right side, wrong side and both sides of the textile. This was studied with the sensory evaluation method. A group of ten people evaluated the samples. The group of techniques that produces motifs similar to the square-ruled graph were formed on the basis of the average grades of the evaluation. Another aim of the study was to analyze the visual differences caused by the tapestry crochet technique. This was done using the qualitative content analysis method.

The study showed that a tapestry crochet motif similar to a square-ruled graph can be made in a variety of ways, so that the motif is either on the right or wrong side of the textile. In both cases the textile can be crocheted one way or back and forth. A motif similar to a square-ruled graph can appear on both sides of the textile with three different techniques, but none of them are practical. According to the content analysis there are no techniques that would produce a perfect motif.

According to the study, a tapestry crochet motif similar to a square-ruled graph can be made with traditional tapestry crochet techniques or new versions of the technique. An improved version of reverse single crochet stitch was developed during the study, which makes it possible to make good looking tapestry crocheted textiles when crocheted back and forth.”

Maarit kept the samples, but a copy of her thesis (with photos of the samples) is at the Library of the Savonlinna Department of Teacher Education. She said, “I did 60 variations, but theoretically there are hundreds!” Maarit showed me the samples and some of her other tapestry crochet work and was kind enough to give me the pieces below.

Tapestry crochet sample
Front and back of a cotton sample that Maarit tapestry crocheted back and forth, turning the piece at the end of every row, with alternating rows of the front and the back of the stitches.

Maarit’s sample
Front and back of a cotton sample that Maarit tapestry crocheted from right to left with all the front of the stitches on one side of the fabric and all of the back of the stitches on the other side of the fabric.

Maarit’s wool sample
Front and back of a pot holder that Maarit crocheted back and forth with wool, with all the front of the stitches on one side of the fabric and all of the back of the stitches on the other side of the fabric.

Maarit’s pot holder
Front and back of a similar pot holder with a border.

Detail of Maarit’s cotton bag
Detail of a cotton bag that Maarit tapestry crocheted around 10 years ago when she was first experimenting with the technique.

Maarit Tapestry Crochet Hat
Sisko Tynkkynen tapestry crocheted this cotton hat with the Finnish flag for one of Maarit’s children. It was tapestry crocheted from bottom to top, decreasing at the top.

Like most of us, just when you think you have something down, it surprises you! Maarit describes her experience with the mittens pictured below, “These tapestry crochet mittens are an example of “Woops, did I do something wrong?” I forgot to try the second mitten on while I was making it. I didn’t realize my tension was tighter so the second mitten turned out too small. The fine black woolen yarn is very difficult to work with and ripping out stitches is even more difficult. The mittens are still waiting for me to have more patience and time. I’m hoping to wear the mitten at Christmas. Hopefully this year! Someone once said that making mistakes is an efficient way of learning but unfortunately it’s also a bitter way.”

Maarit’s Tapestry Crochet Mittens
Maarit crocheted these mittens from the cuff up.

Maarit’s new job as an elementary school English teacher, and her 3 children and husband keep her quite busy. The Nordic Knitting Symposium she attended over the summer inspired her to try more new things. She says, “I feel like trying out ALL new techniques, yarns, colours etc. I do wish to live to be a hundred years old so I’ll have the time for all these lovely ideas.”

Maarit’s Woolen Mittens
Maarit will give these knit mittens to a Member of Parliament in November. It’s a teacher’s campaign to remind the Finnish government about the importance of craft skills. 

I can relate to Maarit’s lack of time and eclectic interests because I love diversity and variety, too. May we all live to be at least a hundred!

New Publications with Tapestry Crochet

Saturday, October 13th, 2007

In order to publicize tapestry crochet, I submit projects to lots of editors. This form of advertising reaches new people and hopefully tempts them to try tapestry crochet – and once they try it, they’re usually “hooked”. The following three projects are in publications that were released this month – and if you haven’t already, I hope you will give tapestry crochet a try!

2008 Crochet Calendar
The Tapestry Crochet Eyeglass Case in the 2008 Crochet Calendar is a great first tapestry crochet project because it has a simple motif – blue on blue and white on white. It was crocheted with 3-ply cotton Saucy thread by Reynolds, but any yarn or thread would work – and this project could easily be converted into a cell phone bag!

Includes Felted Tapestry Crochet Basket Pattern
Crochet Me is such a treasure. Kim Werker did a wonderful job selecting inspirational projects and her personal touch is seen throughout the book. In fact, that’s part of what makes it so special! I’m thrilled that she included my felted tapestry crochet basket project.

The basket motif was inspired by a pattern engraved on a knife that I saw in an ethnographic museum in Belgium. Photos were not allowed, so I sketched the stripe and triangle design on a scrap of paper.

While some projects are accepted for publication “as is”, others need to be reworked in a variety of fibers and sizes.

Crochet Me Baskets
My original
Crochet Me submission is the Berroco Ultra Alpaca basket on the far left. The others were crocheted with Brown Sheep Burly Spun wool. The pink, white, and blue basket was crocheted last – but it visually did not fit in with the rest of the baskets, so it didn’t make the cut.

Before felting
This is what the small basket looked like before felting. Quite a transformation, don’t you think?

Graphs for Crochet Me Baskets
A lot of time was saved by working out color schemes on paper. Above are 2 of several color combinations that I proposed to Kim. She chose the one on the right.

Carol in China
The picture in
Crochet Me was taken while I was riding in a gondola up to the Great Wall of China. I will blog about that trip later – what an adventure!

The Crochet Me felted baskets are a fantastic introduction to this type of crochet. The loose stitch makes it easy to learn how to carry and switch the yarns. The pattern is a bit more challenging – but not that bad. And, what fun to see them felt in the washing machine.

Includes Bead Tapestry Crochet Bracelet Pattern
The reversible bracelet in
Jewelry With a Hook is another wonderful first bead tapestry crochet project with a simple motif of pink on pink and brown on brown.

Bead Tapestry Crocchet Bracelet
This bracelet was bead tapestry crocheted with size 8 black beads on pink
Senso Cotton thread (equivalent to size 3) and size 6 rainbow beads on brown Senso Cotton. I originally emailed Terry Taylor a picture of the Bead Diamond Bracelet in my Bead & Felted Tapestry Crochet book and suggested the geometric motif, then he chose the colors.

Being able to work with editors not only helped get these projects published, it also made them better! I look forward to collaborating with them and others in the future!

If you haven’t tried tapestry crochet, felted tapestry crochet, or bead tapestry crochet  yet, you no longer have any excuses! And – for the tapestry crochet enthusiasts who are already hooked, what are you waiting for? Surely you have some left-over yarn or thread that would look fabulous in stripes or beads!

CV Earrings

Thursday, September 27th, 2007

Last July in New Hampshire, I promised to wear a personalized pair of tapestry crocheted earring during the Fall CGOA Conference. As usual, they were more challenging than I anticipated. The “C” wasn’t so bad, but the “V” was a killer!

Front and back of the “C” earrings
Front and back of the first “C ” (bead tapestry crocheted as a flat spiral) – not perfect – but almost.

Gudebrod size FFF Silk and size 11 seed beads from Fire Mountain Gems were used to tapestry crochet all of the earring on this page. My first “V” attempt (bottom left) was also bead tapestry crocheted as a flat spiral. Since the bottom did not form a distinct point, I decided to tapestry crochet the next “V” back and forth, reversing the letter and background colors. I began at the wide, top end and crocheted down towards the bottom, decreasing at the sides to bring it to a point. I didn’t realize that the beads would fall slightly to one side on every other row when working back and forth, though, so although it looks great from the back, the front is jagged – and – there are too many rows over the letter – and the light background is too much – don’t you think?

Front of V earringsBack of V earrings
Front and back of first and second “V” attempts.

The third “V” (bottom left) has less rows on top, but the carried thread shows and it needs one more row over the letter. Then I thought, “You know, the brown background really doesn’t contrast with my brown hair, so maybe I should go with a color – like purple.” The purple “V” earring is the perfect size, but there are too many rows over the “V”. One more row added to the top of the letter would fix that – and – how about black instead of purple?

Front of V earringsBack of V earrings
Front and back of third and fourth “V” attempts. Now the backs have jagged letters, but the front beaded sides look good.

Yes, I like the black background and the “V” earring matches the size of the “C.” So, I crocheted a black “C” to match, bringing the ends of the letter closer together.

Front of CV earringsBack of TC earrings
Finally! The front and back of the finished CV earrings!

Just in time, because I’m flying to the Fall Knit and Crochet Show tomorrow! My next blog will feature my tapestry crochet adventures there and a picture of me wearing the earrings. See you in Oakland?

Caroline Routh, Tapestry Crochet Artist

Sunday, September 2nd, 2007

Tapestry crochet and the internet brought Caroline Routh and me together and this past Spring we finally met. Caroline studied and taught painting and design before becoming a fiber artist. As you can see, this background shines through in her exquisite abstract and figurative tapestry crochet works of art.

Caroline Routh Baskets
Caroline’s Red Stripes and Georgian Landscape are 5″ tall.

Caroline’s working method allows her to create shapely, three dimensional sculptures and vessels with fantastic color variations. How does she achieve such an extensive palette? By mixing the threads as if they were paint, of course!

Her “paints” of choice include sizes 3 and 5 cotton threads and embroidery floss (each strand is composed of six 9 yard long pieces), which are available in a rainbow of tints and shades. Metallic thread and novelty yarn are occasionaly utilized for special effects. Caroline usually combines 2 strands into one working thread to increase the thickness. Sometimes the strands are the same color, other times each is different. She subtly varies the hues by replacing one strand at a time with another color either as it is needed or when it runs out. The new thread is tied on with a weaver’s reef knot, then the join is skillfully hidden by crocheting over it.

Caroline Routh Shell
Caroline’s tapestry crocheted Shell is 7 1/4″ long.

Detail of Tapestry Crochet Shell
This detail shows how one color transitions into another.

How do Caroline’s sculptures stay in shape? With a wire skeleton – what else would work so well? She demonstrated the technique for me below. For a lot of color changes, as many as 7 threads are carried with the wire. When no color changes are necessary,  only the wire is carried.

Caroline Routh Tapestry Crocheting
The florist wire that Caroline carries plays an important supportive role.

Caroline Routh Blackbird
Caroline’s Blackbird is 10″ high. The wire skeleton keeps it in shape.

A painter’s sensibility and tapestry crochet are successfully married in the one-of-a-kind imaginative pieces that are available through her web site and at the Mad and Noisy Gallery in Creemore, Ontario. What an inspiration!

Motif Inspiration and Design

Saturday, August 18th, 2007

While some people are inspired by beading, cross stitch, and filet crochet patterns, my inspiration lies elsewhere. As an art historian, I’m exposed to art and crafts from around the world and am always on the lookout for patterns when traveling and visiting museums. I used to sketch motifs on scraps of paper, but now I photograph them. Even when there’s not enough light for a great image (museums don’t allow flash), the photos are usually good enough to help me remember the pattern. The great thing about digital photography is that the image is visible right away, which allows me to retake it, when necessary.

I never copy a pattern exactly as I find it – not only because of copyright issues, but also out of respect for the original designer.

Guatemala Horse Bag
This tapestry crocheted bag from Aguacatan, Guatemala dates to 1980.

CrochetMe Horse Around Purse
It’s easy to see how it inspired my Horse Around Purse.

I hit the pattern jackpot in southern Spain a few years ago. Everywhere I looked: up, down, inside and outside; all were embellished with patterns left by the Romans, Muslims, then Spanish royalty. I took thousands of photographs of everything – including the mosaics.

Mosaics in Alcazar Seville Spain
Oh, my gosh! These 14th century tiles in the Alcazar (Royal Palace) in Seville, Spain, have a lot of tapestry crochet motif potential.

Zig Zag Big Bag
Can you see how the floor tiles inspired the motif on the Zig Zag Big Bag from my Bead & Felted Tapestry Crochet book?

Pebble Walk Alcazar Seville Spain
One of the wall motifs also decorates the restored pebble walkway at the Alcazar in Seville.

Pattern in 100 Purses to Kinit and Crochet
Can you see how it also inspired the pattern on my Beaded Tapestry Crochet Purse in 100 Purses to Knit and Crochet?

Pebble Walk Alhambra Granada Spain
A fabulous restored pebble walkway at the Alhambra, Granada, Spain . . .

Tapestry Laptop Bag
. . .inspired the motif on my Tapestry Laptop Bag pattern from Crochet World, June, 2007.

There are a few things to consider when designing tapestry crochet motifs in the round. Of course, contrasting colors and horizontal stripes always work well. But did you realize that each single crochet stitch lays slightly to the side of the one underneath, creating diagonal lines when placed one over the other?

Stripe Basket Change Purse
The stitches on the Basket and on Stripe Change Purse* were placed one over the other, resulting in diagonal lines to the right because they were crocheted right-handed. The stitches on the other part of the change purse were placed to the left of the underlying stitches, creating diagonals in the opposite direction.

Uruk Cone Mosaic Metropolitan Museum NY
A similar tendency is seen in this 5,000 year old Sumerian cone mosiac from Uruk at the Metropolitan Museum in NY.

Now you know why so many of my motifs incorporate horizontal and diagonal lines. Although curves are awkward, they are not impossible. Take a look, for example, at the heart below, which is composed of diagonals on the bottom and two attempted semi-circles on top.

Creative Living Basket Graphs
The graph on the left shows how the pattern looks when tapestry crocheted. The graph on the right is easier to follow, though.

Creative Living Basket
These baskets were done following the above graphs. The free pattern is on pages 10 & 11 of Lifestyles and you can see them being crocheted on YouTube.

For more about tapestry crochet design and tapestry crochet graph paper, please take a look at my free YouTube Design video, page 11 of Creative Living, and my Tapestry Crochet and More Tapestry Crochet books. I look forward to seeing YOUR designs!

 *project and instructions in Bead & Felted Tapestry Crochet

Strapped? Handle It!

Saturday, August 11th, 2007

So many choices – so little time! Not counting the myriad examples available for purchase, there are numerous crocheted options, too. For a quick look at my strap and handle adventures, I’ll start at the beginning. Long ago, in a far off land, Guatemalan tapestry crocheted bags with woven straps introduced me to the craft.

Guatemalan Bags
These bags from Guatemala date to the late 1970’s.

In the early 1980’s I appropriated the flat rectangular format, designed my own motif, and crocheted the strap. Most of my early bags followed the same formula. To this day I still I crochet a long chain (that is still attached to the purse), reattach it, then crochet around it and the rim (much stronger than crocheting back and forth across the width – and no sewing required).

rectangulartcshoulderbag.jpg
My Rectangular Shoulder Bag** with a detail of the crocheted strap.

Large bags usually require the support of more than one handle.

Big Bag
This felted Zig-Zag Big Bag* is the largest purse I ever tapestry crocheted. A detail of the handle (before felting) shows the stitches.

I’ve had a lot of fun over the years with straps and handles. Putting it or them . . .

Kitty Bag
. . . to one side – like on this Kitty Bag . . .

Bead Tapestry Crochet Bag
. . . across the middle – like on this
bead tapestry crochet
Rasta Bag . . .

Bead Tapestry Crochet Cat Purse
. . . crisscrossed – like on this Tapestry Crochet Purse.

My mother was very concerned that an open purse would encourage pickpockets, so I crocheted hers with a flap – my very first one. Necessity was not only the mother of invention, but in this case, the mother of the inventor/designer.

Eventually, I began to demand more of my straps and handles. Why couldn’t they multi-task? I realized that with a little coaxing, they could not only support the bag, but could also help protect the contents – no flap required!

My first attempt involved sliding the strap through a slot in the rim. Several of my purses feature this unique closure.

Tapestry Crochet Purses
Cat’s Meow Purses** and strap detail.

Then I designed a handle that slid through two slots for a different look. This is my favorite solution – at least for now.

Squares Bag
Squares Bag* with a detail of the strap before felting.

For even more Purse-in-all security . . .

Awareness Purse
This multi-tasker, the Awareness Purse*, carries a message, and supports and secures, with style!

Still strapped – or can you handle it now?  (Sorry, but I inherited the “corny” gene from my Dad.)

My next post will focus on motif inspiration and design.

*project and instructions in Bead & Felted Tapestry Crochet
**project and instructions in More Tapestry Crochet

Evolutionary Design

Tuesday, August 7th, 2007

My work evolves from one piece to another. In other words, they generate each other. Just about every project that I have published, especially the felted hats and purses, went through several incarnations. Although most stitches shrink more horizontally than vertically during the felting process, every yarn reacts differently, making it very difficult to predict exactly how they will turn out. Hats and other clothing are especially challenging, since they have to fit! That’s why most of my hats are also baskets.

feltedhatbag.jpg
The “Hat/Basket” on the left is the first tapestry crochet piece I ever felted. The Down Under Purse* came next. A different motif and handles distinguish it.

As I wrote in my Bead & Felted Tapestry Crochet book, “Felting is like giving birth; you plan and hope, but the results are often surprising. If your piece felts exactly as you expected, congratulations! If not, as a wise teacher once told me, ‘There are no mistakes, only design possibilities.’ “

feltedheartpurses1.jpg
This is my third felted piece. I added a flap, changed the handle, and varied the motif. “Before felting” is on the left. After felting, I decided that the flap was too narrow and long and the circumference of the rim was too wide; not a total disaster, though.

feltedheartpurse2.jpg
The flap scared me, so I crocheted this flapless version with different yarn, but thought the circumference was still too wide because it might not stay closed when worn.

feltedheartpurse3.jpg
Ah, finally, the Heart-Felt Purse* is born.

feltedflappurses.jpg
I eventually got the courage to attempt another flap. After crocheting the purse on the left (which will be auctioned off at the CGOA Conference next month), I decided to change the color, enlarge the flap, lengthen the handle, and vary the motif  and – voila – the Ventura Purse.*

sunbursthat.jpg
If you have been paying attention, the lineage of this hat is obvious. The shape of the first hat + a variation of the triangle motif of the Down Under Purse + a circular “flap” = the Sunburst Hat*. The sides are slanted in order to accommodate a number of head sizes.

Genetic studies have proven that inbreeding causes birth defects. Fortunately, it’s not so dangerous with tapestry crochet, but new blood injects more vitality into the craft. A few intrepid crocheters have already contributed, and I hope that you will do the same!

I will blog about straps and handles next time, then motifs.

*project and instructions in Bead & Felted Tapestry Crochet