Archive for August, 2007

In Defense of Free Patterns

Saturday, August 25th, 2007

Some people argue that free patterns reduce the pool of buyers. Others are convinced that after someone tries a pattern, they are more willing to purchase them later. It’s true that large numbers will never buy patterns, as long as they are available for free. But it’s also true that free patterns introduce potential buyers to the technique, which eventually results in sales.

I’m in the “other” group, so my web site includes several free patterns. To help teachers spread tapestry crochet, I even designed special projects for them. Why should I help teachers? Why not?

Free Tapestry Crochet Projects
These free Basket, Thread Amulet Bag, and Felted Amulet Bag patterns were specifically designed for teachers.

Teachers can spark interest in tapestry crochet – and like a pyramid scheme, their students will teach others, who will show more people, etc. So, I’m hoping that teachers will really embrace tapestry crochet!

Yarn companies distribute free patterns to promote their products. My free patterns are advertisements for tapestry crochet. I love to hear that one of my free patterns has enabled someone to learn the craft or expand their skills. After someone tries them, they are more likely to purchase a book or magazine that includes tapestry crochet projects.

Tapestry crochet is not for everyone, but lots of folks could benefit from this craft, both financially and personally. Its thrilling that the internet makes it possible to share ideas around the world. With time and patience, and very little money, stylish items can be tapestry crocheted and then marketed. Because the finished products are lightweight and neither fragile nor perishable, they may be exported. The resulting income helps stabilize the local economy and the endorphins released while crocheting produce a happier society.

OK. Back to reality. Free patterns are part of my answer to increased visibility – and it’s working. My books are not flying off the shelves, but they are slowly making their way into loving homes. I hope this explains my motivation and that you will use and share my free tapestry crochet patterns (and maybe even buy some in the future).

Motif Inspiration and Design

Saturday, August 18th, 2007

While some people are inspired by beading, cross stitch, and filet crochet patterns, my inspiration lies elsewhere. As an art historian, I’m exposed to art and crafts from around the world and am always on the lookout for patterns when traveling and visiting museums. I used to sketch motifs on scraps of paper, but now I photograph them. Even when there’s not enough light for a great image (museums don’t allow flash), the photos are usually good enough to help me remember the pattern. The great thing about digital photography is that the image is visible right away, which allows me to retake it, when necessary.

I never copy a pattern exactly as I find it – not only because of copyright issues, but also out of respect for the original designer.

Guatemala Horse Bag
This tapestry crocheted bag from Aguacatan, Guatemala dates to 1980.

CrochetMe Horse Around Purse
It’s easy to see how it inspired my Horse Around Purse.

I hit the pattern jackpot in southern Spain a few years ago. Everywhere I looked: up, down, inside and outside; all were embellished with patterns left by the Romans, Muslims, then Spanish royalty. I took thousands of photographs of everything – including the mosaics.

Mosaics in Alcazar Seville Spain
Oh, my gosh! These 14th century tiles in the Alcazar (Royal Palace) in Seville, Spain, have a lot of tapestry crochet motif potential.

Zig Zag Big Bag
Can you see how the floor tiles inspired the motif on the Zig Zag Big Bag from my Bead & Felted Tapestry Crochet book?

Pebble Walk Alcazar Seville Spain
One of the wall motifs also decorates the restored pebble walkway at the Alcazar in Seville.

Pattern in 100 Purses to Kinit and Crochet
Can you see how it also inspired the pattern on my Beaded Tapestry Crochet Purse in 100 Purses to Knit and Crochet?

Pebble Walk Alhambra Granada Spain
A fabulous restored pebble walkway at the Alhambra, Granada, Spain . . .

Tapestry Laptop Bag
. . .inspired the motif on my Tapestry Laptop Bag pattern from Crochet World, June, 2007.

There are a few things to consider when designing tapestry crochet motifs in the round. Of course, contrasting colors and horizontal stripes always work well. But did you realize that each single crochet stitch lays slightly to the side of the one underneath, creating diagonal lines when placed one over the other?

Stripe Basket Change Purse
The stitches on the Basket and on Stripe Change Purse* were placed one over the other, resulting in diagonal lines to the right because they were crocheted right-handed. The stitches on the other part of the change purse were placed to the left of the underlying stitches, creating diagonals in the opposite direction.

Uruk Cone Mosaic Metropolitan Museum NY
A similar tendency is seen in this 5,000 year old Sumerian cone mosiac from Uruk at the Metropolitan Museum in NY.

Now you know why so many of my motifs incorporate horizontal and diagonal lines. Although curves are awkward, they are not impossible. Take a look, for example, at the heart below, which is composed of diagonals on the bottom and two attempted semi-circles on top.

Creative Living Basket Graphs
The graph on the left shows how the pattern looks when tapestry crocheted. The graph on the right is easier to follow, though.

Creative Living Basket
These baskets were done following the above graphs. The free pattern is on pages 10 & 11 of Lifestyles and you can see them being crocheted on YouTube.

For more about tapestry crochet design and tapestry crochet graph paper, please take a look at my free YouTube Design video, page 11 of Creative Living, and my Tapestry Crochet and More Tapestry Crochet books. I look forward to seeing YOUR designs!

 *project and instructions in Bead & Felted Tapestry Crochet

Strapped? Handle It!

Saturday, August 11th, 2007

So many choices – so little time! Not counting the myriad examples available for purchase, there are numerous crocheted options, too. For a quick look at my strap and handle adventures, I’ll start at the beginning. Long ago, in a far off land, Guatemalan tapestry crocheted bags with woven straps introduced me to the craft.

Guatemalan Bags
These bags from Guatemala date to the late 1970’s.

In the early 1980’s I appropriated the flat rectangular format, designed my own motif, and crocheted the strap. Most of my early bags followed the same formula. To this day I still I crochet a long chain (that is still attached to the purse), reattach it, then crochet around it and the rim (much stronger than crocheting back and forth across the width – and no sewing required).

rectangulartcshoulderbag.jpg
My Rectangular Shoulder Bag** with a detail of the crocheted strap.

Large bags usually require the support of more than one handle.

Big Bag
This felted Zig-Zag Big Bag* is the largest purse I ever tapestry crocheted. A detail of the handle (before felting) shows the stitches.

I’ve had a lot of fun over the years with straps and handles. Putting it or them . . .

Kitty Bag
. . . to one side – like on this Kitty Bag . . .

Bead Tapestry Crochet Bag
. . . across the middle – like on this
bead tapestry crochet
Rasta Bag . . .

Bead Tapestry Crochet Cat Purse
. . . crisscrossed – like on this Tapestry Crochet Purse.

My mother was very concerned that an open purse would encourage pickpockets, so I crocheted hers with a flap – my very first one. Necessity was not only the mother of invention, but in this case, the mother of the inventor/designer.

Eventually, I began to demand more of my straps and handles. Why couldn’t they multi-task? I realized that with a little coaxing, they could not only support the bag, but could also help protect the contents – no flap required!

My first attempt involved sliding the strap through a slot in the rim. Several of my purses feature this unique closure.

Tapestry Crochet Purses
Cat’s Meow Purses** and strap detail.

Then I designed a handle that slid through two slots for a different look. This is my favorite solution – at least for now.

Squares Bag
Squares Bag* with a detail of the strap before felting.

For even more Purse-in-all security . . .

Awareness Purse
This multi-tasker, the Awareness Purse*, carries a message, and supports and secures, with style!

Still strapped – or can you handle it now?  (Sorry, but I inherited the “corny” gene from my Dad.)

My next post will focus on motif inspiration and design.

*project and instructions in Bead & Felted Tapestry Crochet
**project and instructions in More Tapestry Crochet

Evolutionary Design

Tuesday, August 7th, 2007

My work evolves from one piece to another. In other words, they generate each other. Just about every project that I have published, especially the felted hats and purses, went through several incarnations. Although most stitches shrink more horizontally than vertically during the felting process, every yarn reacts differently, making it very difficult to predict exactly how they will turn out. Hats and other clothing are especially challenging, since they have to fit! That’s why most of my hats are also baskets.

feltedhatbag.jpg
The “Hat/Basket” on the left is the first tapestry crochet piece I ever felted. The Down Under Purse* came next. A different motif and handles distinguish it.

As I wrote in my Bead & Felted Tapestry Crochet book, “Felting is like giving birth; you plan and hope, but the results are often surprising. If your piece felts exactly as you expected, congratulations! If not, as a wise teacher once told me, ‘There are no mistakes, only design possibilities.’ “

feltedheartpurses1.jpg
This is my third felted piece. I added a flap, changed the handle, and varied the motif. “Before felting” is on the left. After felting, I decided that the flap was too narrow and long and the circumference of the rim was too wide; not a total disaster, though.

feltedheartpurse2.jpg
The flap scared me, so I crocheted this flapless version with different yarn, but thought the circumference was still too wide because it might not stay closed when worn.

feltedheartpurse3.jpg
Ah, finally, the Heart-Felt Purse* is born.

feltedflappurses.jpg
I eventually got the courage to attempt another flap. After crocheting the purse on the left (which will be auctioned off at the CGOA Conference next month), I decided to change the color, enlarge the flap, lengthen the handle, and vary the motif  and – voila – the Ventura Purse.*

sunbursthat.jpg
If you have been paying attention, the lineage of this hat is obvious. The shape of the first hat + a variation of the triangle motif of the Down Under Purse + a circular “flap” = the Sunburst Hat*. The sides are slanted in order to accommodate a number of head sizes.

Genetic studies have proven that inbreeding causes birth defects. Fortunately, it’s not so dangerous with tapestry crochet, but new blood injects more vitality into the craft. A few intrepid crocheters have already contributed, and I hope that you will do the same!

I will blog about straps and handles next time, then motifs.

*project and instructions in Bead & Felted Tapestry Crochet

Korsnäs Tapestry Crochet

Thursday, August 2nd, 2007

Korsnäs is a municipality on the western coast of Finland. The people (of Swedish descent) continue many of their traditions, including tapestry crochet. The Korsnäs Museum, housed in a historic farmer’s cottage that includes a kitchen and sleeping quarters, provides an authentic look into the past. The textile room includes an extensive collection of tapestry crocheted sweaters, hats, mittens, cuffs, bags, sashes, and suspenders.

finlandkorsnasmenssweaters.jpg
Men’s crocheted and knit sweaters, hat, and suspenders in the Korsnäs Museum.

finlandkorsnasbagssashes.jpg
A wide tapestry crocheted sash, a narrow woven sash,
and tapestry crocheted cuffs and bags in the Korsnäs Museum.

Korsnäs sweaters are a stunning combination of tapestry crochet and knitting. Beginning at the bottom, they are crocheted, then knit, then crocheted in rounds for both pullover and open styles. The top seam is hand sewn together, the tube is secured with machine-sewn stitches around the arm openings, then the arm holes are cut. The sleeves are crocheted, then knit, then crocheted from the shoulder to the cuff and then sewn onto the sweater. The neck is edged with a crocheted border. The front is cut open for the button down style, then a decorative edging is added for the button and its holes and to help secure and hide the edges. The last step is to hand sew a narrow, knit band over all the cut and sewn seams to camouflage the joins.

Locals occasionally dress in their traditional costume and demonstrate knitting and crocheting sweaters in the museum. Appointments can be made for group visits.

korsnascrochet.jpg
Tapestry crocheting in rounds the lower border of a sweater.

finlandkorsnascrochet.jpg
One color yarn rests on the front and the other on the back of the forefinger, while the other fingers grip them for proper tension.

finlandkorsnasknitting.jpg
After the crocheted border has been finished, loops are pulled through the crochet stitches so that the body of the sweater may be knit in a tube, traditionally by more than one person at a time on double pointed needles.

korsnasknitting.jpg
Each knitter completes one partial round, then it is rotated.

Another great place to see Korsnäs textiles is in private and museum collections. Since they are rarely able to exhibit everything, much of it is often in storage. If you make an appointment and are very lucky, though, a curator will let you into the “vaults” and allow photographs, too! Fortunately, luck was with me in Finland.

ostrobothnianmuseumcarol.jpg
In the “vaults” of the Ostrobothnian Museum.

I suspect that Korsnäs tapestry crochet evolved from nalbinding, a much older looping technique that utilizes sewn loops. With tapestry crochet, only a small loop is pulled through with a hook, whereas with nalbinding, the entire yarn needs to be pulled through each loop with a sewing needle; very labor intensive. Even if the yarn is spun as needed, looping is still much more time consuming than crochet. Both techniques are still used to make mittens in Finland.

finlandnalbindinggloves.jpg
Nalbound mittens from the Karin Rosendahl collection.

osterkorsnasgloves.jpg
Tapestry crocheted Korsnäs mittens from the Ostrobothnian Museum.

osterkorsnaschildssweater.jpg
Korsnäs child’s sweater from the Ostrobothnian Museum.

ostrobothniankorsnassweater.jpg
Korsnäs sweater from the Ostrobothnian Museum.

ostrobothniankorsnassweaterinside.jpg
Detail of the lower part of the above sweater.

krkorsnassweaterwithcollar.jpg
Korsnäs sweaters from the Karin Rosendahl collection.

krkorsnassweatercollardetail1.jpg
Collar detail of the above sweater from the Karin Rosendahl collection.

I will always be indebted to the many wonderful people who made this trip possible, especially Marketta Luutonen, Anna-Maija Bäckman, Leena Nyqvist, and Jeanette Rönnqvist-Aro.

markettaluutonencarolventura.jpg
Marketta Luutonen and me.

annamaijabachmanleenajeanette.jpg
Anna-Maija, Leena, and Jeanette of Loftet.

Some of these names should now be familiar to you. Jeanette crocheted the cuffs in my previous post and Marketta and Anna-Maija have authored several excellent crochet publications. In fact, the best book (in Finnish, Swedish, and English) with history and patterns, is their Decorative Crochetingwhich was printed in Vasa in 2003 (ISBN 951-96888-4-6). Marketta also wrote Virkattuja Pusseja (Crocheted Purses), printed in Vasa in 1992 (ISBN 952-90-4278-7). Although written in Finnish, it includes several excellent photos and graphs. Another good book is Korsnäströjor Förr Och Nu, by Gretel Dahlberg, printed in Vasa in 1987, ISBN 951-99832-4-4. Although not in English, it includes historical pictures, several museum pieces (many in color), and some graphs for sweaters and mittens.

Carol Ventura
It took a year to get my ensemble, but it was worth the wait! Although I ordered mine at the Korsnäs Museum, it is also available online. I will be sure to wear it at the TKGA / CGOA Conference in Oakland in September. I hope to see you there!