Biennial Award

September 24th, 2012

I was honored to have two of my tapestry crochet pieces accepted into the 2012 TACA Biennial: The Best of Tennessee Craft exhibit at the Tennessee State Museum in Nashville.

My Hat and Geometry Tote in TACA’s 2012 Biennial Exhibition.

Even better is that my Geometry Tote received a Purchase Award! I’m so excited that it’s now part of the Tennessee State Museum’s permanent collection. I blogged about this Tote earlier, when it was published in Crochet World and recently posted about the Hat, too.

The Biennial Exhibition runs through October 21 and the reception will be this Saturday, the 29th, from 6-9pm. I would love to see you there! If you can’t make it to the reception, you can still make it by crocheting your very own Geometry Tote from the instructions in the February 2011 issue of Crochet World.

Switching Colors

September 15th, 2012

Do your yarns twist around each other when you tapestry crochet? Well, there’s a simple solution to avoid this problem. Just place one color on your right and the other on your left (or both colors on your lap next to each other) and then allow a slight twist to occur next to the most recent stitch when changing colors.

I’ve switched colors back and forth this way for years, but just recently noticed that the back of the work does not always look the same. To see what I’m talking about, please take a close look below at the back of the fabric (on the right). Do you see the jagged edges?

1. Front of the fabric (on the left) and back of the same section (on the right), showing the “twist” that occurs when switching colors.

Now look at the right half of photo 2 below. Notice the consistently smooth edges of the stripes on the back. The fronts of each sample (shown on the left in the photos above and below) look very similar, but the backs are quite different.

2. Front of the fabric (on the left) and back of the same section (on the right), showing the “twist” that occurs when switching colors.

Why do the backs look so different? Let’s see if you can figure it out. I’ll give you a hint. The jagged stripes in photo 1 document how many rounds I crocheted at one time. From bottom to top (the way it was worked), I crocheted 3 rounds, put down the work, then picked it up and crocheted 4 more rounds, then kept putting it down every time I finished a round. So, what was I doing differently each time?

It took me a while to figure it out, but I finally realized that the position of the balls were reversed each time I began crocheting again. When the brown ball was on one side of the yellow, the back of the work looked one way, but when it was on the other side, the twist that formed in the back looked very different. Eureka!

After figuring out which position produced the best results, I made sure the yellow and brown balls were always in the same place while crocheting the sample in photo 2. Much better! It’s amazing that this slight variation in technique makes such a difference – don’t you think?

Arrowhead Tote

September 2nd, 2012

The Fall 2012 issue of Interweave Crochet has several colorful projects, including my Arrowhead Tote (below).

Arrowhead Tote, Tahki Cotton Classic, 13 3/4″ wide, 2012.

I tapestry crocheted the first version (below) with some Stitch Nation Full O’Sheep wool left over from my Beautiful Basket project. The arrows looked great at first, but after the bag was felted they lost too much definition for my taste.

Tapestry crocheted wool bag on the left –  the same bag felted in my washing machine on the right.

So – when Interweave sent out a call for original designs, I submitted a photo of the wool bag before it was felted, but suggested a new version tapestry crocheted with a single handle in Tahki Cotton Classic.

I really enjoyed crocheting the colors they chose and love how the cotton bag looks and feels. What do YOU think?

Bamun Inspiration

August 14th, 2012

I never copy exactly what I see. That would be unethical and too easy. Instead, I prefer to challenge myself by reinterpreting motifs and designs. So when Interweave asked me to write about and design a Bamum hat, I looked through my collection, chose a style, and took it from there.

My first attempt (bottom left) turned out too small. The octagonal top was produced by increasing in the same spot each time. I didn’t like the way the wedges lined up with the motifs and they were too large to allow for slight size adjustments, so I made the next one (bottom right) with several improvements.

Bamun inspired hats tapestry crocheted with Cotton Classic by Tahki.

I was happier with the second hat – so that’s the one you’ll find in Interweave’s 2012 Crochet Traditions. The circular top was produced by making more random increases. The motifs are small, so the circumference and height may be subtly changed by increasing or decreasing the number of motifs.

I’m not saying that the first hat is awful. In fact, it’s included in the upcoming Tennessee Association of Craft Artists Biennial Exhibition at the Tennessee State Museum! More about that later.

Summer 2012 Crochet Show Update

August 1st, 2012

I’m back from New Hampshire! Along the way I visited family, friends, and museums and filled up my car with lots of fabulous stuff!

The tapestry crochet classes I taught at the Crochet Guild of America Knit & Crochet Show were great fun – beginning with the Bead Bracelet class. Everyone learned something – even me!

The Bead Bracelet class.

After being taught how to use tapestry crochet graph paper, several of the ladies designed their own motifs.

Karen Ballard incorporated cool cats into her bracelet.

Almost everyone finished their bracelet during the six hour class.

Becky Barker correctly steam ironed the bracelet that she designed from the side of the cloth without beads.

The three hour Bead Felted class was small, but again, everyone picked up new skills and shared a lot.

The Bead Felted class.

The Flat Tapestry class went by very quickly; there was so much to remember and practice in three hours!

Flat Tapestry Crochet Deer class.

These brave women tried both methods; switching hands every other row and turning the piece over and inserting the hook from the back. As usual, most preferred NOT to switch hands.

Anyway, my exciting 18 day trip is behind me – and it’s wonderful to be back home again, too.

The Lesson

July 20th, 2012

Othman Ribatallah has really grown up since Bronwyn met him in 2006. Maybe that’s why he and his Father were able to change places. Othman now runs the family store, stocked with a variety of high quality items, some of which Othman crafted himself. The inventory includes fine handwoven rugs, sterling silver jewelry, crocheted hats from all over Morocco and sculptures from other African countries, like Cameroon.

Othman and me (with my hat purchases) in front of his store in Essaouira.

Othman’s father now crochets and sells hats around the corner from the store. He learned to crochet from his father, who learned from his father, etc. Slip stitched hats were traditionally made by Berber shepherds as they tended their flocks of goats and sheep (today both men and women crochet hats in Morocco). His wife and daughter crochet the style of hat he’s holding (below) with a small hook and fine cotton thread. It takes them two to three days to slip stitch one with such small stitches. He prefers to crochet hats with a larger hook and heavier cotton yarn, which take two to three hours to finish. Prices reflect time spent to make each hat.

Othman’s Father and our tour leader, Susan Schaefer Davis, in Essaouira.

Our tour didn’t include Essaouira, so I asked if an extension could be added so we could look for tapestry crocheters there. Not only did Noble Journeys add the extension, but Susan found Othman on an earlier visit. When Othman mentioned to Susan that he taught crochet, she scheduled an informal private lesson for me!

But first things first! A proper Moroccan host must serve hot, frothy green tea made with fresh mint to welcome his guests! So after we arrived, Othman asked us to give him some time so that he could prepare everything. In the meantime, we visited the interesting nearby Fort.

Othman served us hot tea in the traditional way – pouring it from above.

Othman began the lesson by showing me how to crochet a hat with alternating rows of blue and white back loop slip stitches. The rim will have several rounds of front loop stitches for textural contrast. Othman often combines front loop (which he calls bottom loop) with back loop (top loop) stitches. (This slip stitch technique goes by many names, including Bosnian crochet.) A friend brought him the fine Italian wool that he’s using to make the hat.

Othman slip stitched a hat with alternating rounds of blue and white wool while I photographed his technique.

Othman then began another style hat with chunky cotton yarn. Like the Fes crocheter that I met earlier on the trip, he held the piece with his left hand, inserted the hook with his right hand, yarned over the hook with his right hand (like a knitter), then immediately pulled the new loop through both loops already on the hook. Colors were changed after the stitch was complete. His wooden hook was begun by a local carpenter, then Othman carved the large and small hook on both ends himself.

The yarn over is made by wrapping the yarn across the front of the hook, then around the back.

Othman crochets traditional hats and new styles of his own design. After showing me how to crochet three different types, he explained that someone with an open mind and imagination could crochet anything.

Othman is an EXCELLENT teacher and would gladly teach slip stitch tapestry crochet to you in Morocco or abroad. His English, French, and Moroccan Arabic are excellent, he patiently explains every step of the process – then helps you do it, and his fees are very reasonable.

Othman would also be happy to sell you his work, hats made in other parts of Morocco, and merchandise from his store. He is also willing to crochet hats with wool or thread that you send him. Packing is time consuming and postage is expensive, so several items would need to be purchased together to make the order worthwhile. Payment would have to be made in advance through Western Union. For purchases or to schedule a lesson, please email Othman at othmanshopp@gmail.com or phone him at 212 610 745 701 or write to him at Boutique N. 22, Rue Skala, Essaouira, Morocco.

I hope you’ll be able to visit Morocco someday! It’s such a beautiful and interesting country full of friendly, talented people. Although we flew into Cassablanca, some take the ferry from Algeciras in southern Spain (near Gibraltar) to Ceuta to enter the country. No matter how you get there, please say hello to Othman and his Father for me!

Sunrise Afghan

June 29th, 2012

So, how did my Desert Sunrise Afghan end up in Robyn Chachula’s new Unexpected Afghans book? Well fortunately, she invited me to submit a proposal, explaining that, “The book will be a designer showcase of crochet through afghans.  We will be featuring 25 designers to showcase their craft through the medium of an afghan.”

Robyn suggested I tapestry crochet a 48″ diameter sunburst, kind of like a Gothic stained glass window and my Sunburst Bowl, with colors inspired by the photo below:

Robyn selected seven colors of Caron Simply Soft yarn. She gave me the freedom to change them, but I decided to challenge myself with her selection. I eliminated one of the reds she sent, though, because it didn’t contrast enough with the other reds. The yarn and colors really took me out of my comfort zone – a good thing. I arranged them with high contrast in mind.

If you give this afghan a try, there is a mistake on page 80. The graph is great, but the color key on the right is incorrect. MC should replace A on the top, the pink square should be A instead of B, the orange square should be B instead of C, etc.

Robyn’s wonderful book includes twenty-eight other innovative afghans and five exquisite pillows, too! I hope you’ll take a look!

More Morocco

June 16th, 2012

I’ve been wanting to go to Morocco for some time now, especially since Bronwyn introduced me to the interesting tapestry crochet hats made and worn there. Fortunately, my husband and I were able to join Susan Schaefer Davis during “WARP does Morocco” and Noble Journeys added an extension so that we could also go to Essaouira, the town where Bronwyn saw a hat being crocheted. A future blog will feature our wonderful adventure in that seaside town.

Anyway – on the first morning of the tour, our accommodating and very well informed multilingual guide, Ismail Bourqqadi, brought us to a fortress that overlooks Fes to give us an idea of the city’s expanse and beauty. We were really lucky to have the best guide in Morocco! During the week that Ismail shepherded us to and through numerous interesting cities and towns, he taught us about Moroccan history, culture, politics, and religion. He also made sure that we learned a little bit of Moroccan Arabic.

WARP tour group overlooking Fes while learning about Morocco from Ismail.

As we walked around the corner to get another view of the city, we found a gentleman busily tapestry crocheting hats for tourists. I’m not sure who was more excited – him or me! He was more than happy to show me his slip stitch technique and I was more than happy to buy several of his hats. I also purchased the piece he had just started and one of his cast metal crochet hooks.

Sherqi Said showing me how to do a yarn over. Part of my blue and purple tapestry crocheted camera case is on the ground in front of him.

Like many Moroccans, Sherqi wore a patriotic baseball cap, but the hats he designed and crocheted with double strands of brightly colored acrylic yarn featured the national colors and symbols or names of several countries. Some of them included filet work and other crochet stitches, but most were constructed with slip stitches worked into the back loop.

Patriotic acrylic hats designed for tourists by Sherqi Said of Fes.

Sherqi’s working method was quite different from mine. His left hand held the work and after inserting the hook under the back loop with his right hand, he let go of the hook and yarned over with his right hand like a knitter, then grabbed the hook again with his right hand and pulled the yarn through both loops.

While holding the piece with his left hand, he inserts the hook into the back loop of the stitch below, then does the yarn over across the front of the hook with his right hand, then pulls the loop through both loops on the hook, producing a slip stitch.

Hopefully, you’ll make it to Morocco someday soon! Ismail explained that Sherqi is not always at Borj Sud – especially during bad weather – but luck was with us that warm, sunny day – and maybe it will be with you, too!

Summer 2012 Crochet Show

March 12th, 2012

Are you looking for a fun way to learn more about crochet and knitting? Well, if you’re able to get to Manchester, New Hampshire, June 29th through July 1st, you’ll be able to learn from twenty one teachers and designers (including me!) at the Summer Knit & Crochet Show.

I’m teaching the same classes that were so popular during at the CGOA show Buffalo, NY, in 2009. They are all designed to teach specific tapestry crochet skills, but the projects are small enough that most participants are able to finish them during class.

The first class features bead tapestry crochet. As you probably already know, tapestry crocheting with beads is revolutionary! Since more than one color thread is used, each thread only needs to be loaded with one bead color, eliminating the need to load the beads in a specific sequence ahead of time! A pattern is formed on one side of the fabric by adding a bead to each stitch and on the other side the colored threads create a design. The motif does not need to be pre-planned and offers fantastic design potential. Using the single crochet stitch, create a bracelet and also learn how to design with tapestry crochet graph paper.

My next class features felted and bead tapestry crochet. A large hook and loose single crochet stitches are used to make the bag, then it’s felted in a washing machine. The finished felted tapestry crochet fabric is thick and patterned on both sides. Using the single crochet stitch, students will crochet a bag and learn how to design a motif on tapestry crochet graph paper. Felting instructions are included, but the bag must be felted at home.

The focus of the last class is what I call flat tapestry crochet. Unlike traditional crochet, flat tapestry crochet does not show the back of the stitch on every other row; the front of the stitch is always on the face of the tapestry and the back of the stitch is always on the reverse of the piece. Two methods to do flat tapestry crochet with the single crochet stitch will be taught. Students will also learn how to design on tapestry crochet graph paper, how to crochet a border around their piece and how to block flat tapestry crochet.

These classes are just three of more than ninety others that feature everything from Tunisian, Color, Fair-Isle, Bruges-Lace, to Illusion crochet and more! Registration begins March 30th. Hope to see you there!

A New Wiki Page

February 29th, 2012

Wikipedia is a very popular online encyclopedia written by non-paid volunteers. Although some areas are extensively covered, not all topics are fully represented. After seeing no mention of tapestry crochet, I started a Tapestry Crochet Wiki page and linked it to the Crochet Wiki page.

Anyone may edit Wiki articles, so I hope you will consider expanding the tapestry crochet page. Wikipedia is very careful about copyright. Text and photos must be your own, or in the public domain. Editors are not allowed to promote themselves or their own products, but are encouraged to edit what has been written and add more original information. For more about editing a Wiki page, please look here.

The tapestry crochet page, as it stands right now, is pretty basic. With your input, though, it could be more complete. Together, we can do it!

Jocelynn Brown

February 6th, 2012

Jocelynn Brown is a very talented and creative journalist. Her column in The Detroit News includes a variety of media, but my favorite articles showcase some of her own tapestry crochet designs!

Jocelynn was nine years old when her mother taught her to crochet. She reminisced, “We’d spend hours together crocheting in front of the TV and sometimes on the back porch. I continued through my adulthood, designing and making hats, afghans and baby clothes.”


Hat designed by Jocelynn, 2012 (photo: The Detroit News).

Jocelynn tried to teach herself tapestry crochet in 2008, but didn’t really grasp it until last year. Since then, she’s been designing colorful hats and other accessories. Her goal now is to learn how to use graph paper so that she can add more shapes and motifs.

The instructions for the golf club cover below were included in Jocelynn’s A golf club cover for old times’ sake column in the February 3, 2012 Lifestyle section of The Detroit News. The golf club cover is also featured in her Crafting Blog.

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Jocelynn’s Golf Club Cover, 2012 (photo: The Detroit News).


Jocelynn Brown (photo: The Detroit News)

Jocelynn says, “I find tapestry crochet to be very relaxing, and I’m always planning my next project. Right now, I’m looking forward to making a summer tote with lots of jewel tones, using a mercerized cotton.” I’m really looking forward to seeing it. Hopefully, she’ll share it with us in another inspirational column!

Wrap with Love

January 22nd, 2012

Just in time for Valentine’s Day! Tapestry crocheted with Lion Brand’s Nature’s Choice Organic Cotton, this blanket is so soft and cuddly, it’s sure to be treasured every day of the year.

Patterns for both right handed and left handed crocheters are now available online for this Heart Baby Blanket.

Happy Day!

January 16th, 2012


. . . I still have a dream . . . , tapestry crocheted cotton, 27″ x 56″, 1983.

The light blue background symbolizes water and green the land that both unite and divide us. The rows of people represent the different human races, which are all the same size – with their hearts in the same place. Large hearts form between them as they unite and hold hands in the top row.

While crocheting the figures, I deliberated about whose portrait to place above them. Who best promoted the idea of different types of people living and working together as equals in a peaceful world? After considering many famous mythological and real people, I realized it had to be Dr. Martin Luther King, Jr.

To design the face, I projected Dr. King’s image onto graph paper that I modified to accommodate the tall single crochet stitches.

The facial proportions were good, but the curves were not as smooth as they could have been. It was after this project that I designed tapestry crochet graph paper to better accommodate stitch shape and placement.

In front of the Lincoln Memorial in 1963, this great man shared his dream that “. . . all of God’s children, black men and white men, Jews and Gentiles, Protestants and Catholics, will be able to join hands . . .” This is my dream, too, that people around the world will learn not only to tolerate, but also to celebrate different points of view and beliefs.

Happy Martin Luther King Day! May it be peaceful and inspirational for you and the world.

Graphs from Photos

December 26th, 2011

There are many ways to make tapestry crochet graphs from photos. The ideal subject is lit from the side and includes several values. A variety of graph papers and information about how to use them are included in my Tapestry Crochet and More Tapestry Crochet books. In summary, the image may be projected onto paper or placed under tapestry crochet graph paper on a light table. After tracing the major lines, the cells are then colored in with light, medium and dark colored pencils.

Another approach utilizes computer graphics. The below images were done in a just few minutes with Photoshop, but several other programs could have produced similar results. Reducing the colors of the photo helps visualize the crocheted version and often makes it easier to trace onto tapestry crochet graph paper.

The number of colors and the posterized colors themselves are easily changed in Photoshop.

The online site, KnitPro, quickly (and for free) transformed my photo into a square-ruled graph.

KnitPro just as easily produced the rectangle-ruled graph below.

To my knowledge, though, there is no computer program available that will fill in tapestry crochet graph paper automatically. Digital versions of the most popular tapestry crochet graph papers are posted on the bottom of my tapestry crochet web page. The graph paper may be printed out, then placed over an image on a light table and filled in by hand or the graph may be digitally placed over a photo, then filled in (cell by cell) with the paint bucket tool.

For creating graphs of animals, flowers, etc., there are millions of free online images available for inspiration. For instance, Google “horse”, then click on “images” to find a profile view, then trace it onto the appropriate graph paper. This method helps achieve more accurate proportions and had I used one of those images, perhaps some of my horses would NOT have turned out like donkeys!

Simply Felted Basket

December 9th, 2011

The new Simply Crochet book by Robyn Chachula includes twenty two patterns from a number of crochet designers. My felted Tapestry Basket is one of them – crocheted with Cascade Yarns’ dreamy 100% Peruvian Cascade 220 wool.

My bead tapestry crochet Master Bag featured a woven twill motif, so this time I chose a different basket weave. The colors didn’t contrast enough in the first attempt so I crocheted the final version with yellow instead of beige. The first one was also too narrow, but since the motif was ten stitches wide and there were ten increases per round, it was easy to add three more rounds to make it wider without affecting the motif.

I love felted tapestry crochet! The large, loose stitches are easy on the hands and the projects materialize so quickly. The felted fabric is substantial and the pattern is visible on both sides.

A washing machine transformed the crocheted basket below into the felted basket above.

Are you hooked by felted tapestry crochet yet? If so – or if not – please look at my video tutorial and at my web page and Bead & Felted Tapestry Crochet book for more felted tapestry crochet projects.